I'm glad I acquired the album - it's very enjoyable and the sound came up nicely.
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Ray Smith |
Columbia had Smith record "Jolly Old Saint Nicholas" and "An Old Christmas Card" in one of his first few sessions for them. The former tune dates from the 19th century, while the latter was a new item by Vaughn Horton. The single did relatively well, but Smith only had a few more dates for the label and, as far as I can tell, never recorded another Christmas song.
Smith was from the Eddy Arnold school of singing, but when I first heard his voice, it put me in mind of Jim Reeves, a later artist. Reeves in fact remade "An Old Christmas Card" in 1963, and his version is the one that is heard today, if the song is heard at all.
The label of Smith's 78 says he is accompanied by string band, but it sure sounds like organ and chimes on "An Old Christmas Card" and guitar and organ on "Jolly Old Saint Nicholas."
The other Autry songs, "Santa, Santa, Santa" and "He's a Chubby Little Fellow," date from 1949. Although less familiar than some of Autry's fare, they are no less enjoyable.
Columbia really didn't have much of a country artist roster. The back cover of this LP shows that its early long-playing catalog could offer only albums by Bob Wills, Roy Acuff, Bob Atcher, Al Dexter, George Morgan and Spade Cooley.
To fill out its country Christmas collection, Columbia had to reach back to its predecessor ARC, whose catalog it acquired in 1938. Fortunately, the two items it chose from that source are good ones, even though one is in no way countrified.
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The Hoosier Hot Shots |
The earliest item on the LP, "Santa Claus Is Comin' to Town" dates from 1934, and was originally issued on Melotone and Conqueror as by the American Novelty Orchestra. ARC used that orchestra name as a pseudonym for a variety of bands, including Victor Young, Johnny Messner, Jack Shilkret and Joe Green. Discographer Brian Rust shows Johnny Messner's brother Dick as having recorded "Jingle Bells" in 1935 for ARC, which issued the title under the American Novelty Orchestra name, so his band is another possibility. (UPDATE: Allan Sutton's Pseudonymns on American Records, which I recently acquired, confirms my surmise that this was Dick Messner's orchestra.)
Whatever the case, it's a spirited rendition with a reedy vocal entirely characteristic of the period, and great fun - as is the whole LP.
The Billboard ad below shows the Columbia Christmas issues for 1948, which included four of the numbers from this LP. Also included are the wonderful Sinatra holiday records from that period, and a set by the Lyn Murray Singers, which appeared on this blog in 2013 and is still available. Unfortunately, the Country Christmas Collection does not include the Korn Kobblers' "Don't Give Me No Goose for Christmas, Grandma," which either has to do with poultry or tickling, not sure which.
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ReplyDeletehttps://mega.nz/#!fQd1BK6a!SGpZ_ozmPKDC8licqJElGNVqfORVEUMxG23vWJrdO34
Thank you, Buster.
ReplyDeleteRich
My pleasure, Rich!
ReplyDeleteWow never seen this one. Nice! You're just full of surprises. :)
ReplyDeletethanks for the christmas stuff. i do try to raise my brows occasionally with your poulenc and bartok and telemann, etc. but at my age, they just keep sagging along with all the other body parts.
ReplyDeleteThank you
ReplyDeleteGary
You bought it! Cool. I will download first chance. At the moment, I'm trying to get a group of Christmas singles to sound good. Btw, the reason I passed on this is all the Autry. I like him, but.... Thanks for the research on this. Columbia had a much better rockabilly line-up, I think. A surprisingly good one, given the fact that Mitch Miller led the label. But he wasn't as stuffy as legend had it, of course--he even tried to get Elvis but thought the asking price was too high.
ReplyDeleteHi everyone - thanks for the comments!
ReplyDeleteLee - Mitch may have thought of rockabilly as just another novelty, and he loved novelties.
Good point! Btw, as you know, Miller was a major-league oboist. That must be why my parents described him as a sell-out. As in, selling out to popular taste. Um, but catering to public taste was his job!!
ReplyDeleteYes, in fact there are a few of his oboe records on this blog.
ReplyDeleteThank you. Another nice album to listen to.
ReplyDeleteJust lovely
ReplyDeleteBest Jols
Seriously looking forward to this one. And nothing wrong with too much Gene, which is a contradiction in terms anyway. Thank you.
ReplyDeleteThanks Buster ! So much enjoyment over the years because of you.
ReplyDeleteDrDave - Happy to hear it!
DeleteAt the time you posted this, I didn't know of the American Novelty Orchestra or the many name-alikes. Now I really appreciate Columbia's decision to excavate this record. Also: When the world had little more than "Jingle Bells" to record for secular seasonal fare, it is amazing how resourceful jazz bands and orchestras were with this tune. The Hoosier Hot Shots hit a home-run with their version. Try to find the Riley-Farley dixieland version of this from 1937. It's at IA in ragged shape.
ReplyDeleteThanks, David - I think Ernie posted that Riley-Farley version in his Jingle Bells collection.
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