This present 10-inch LP derives from two productions in the 1946 season, the ballet's first in residence at the Royal Opera House, Covent Garden.
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Arthur Bliss and Constant Lambert during a 1944 rehearsal |
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Shearer and Rassine as the lovers |
The second side of the LP presents a suite from Adolphe Adam's music for Giselle, one of the most popular ballets of all time. In this recording, Lambert performs the dual role of conductor and orchestrator. Although the music was written in 1841, Adam's orchestration was not published until the 20th century. Rather than licensing that version, ballet companies such as Sadler's Wells found it less expensive to commission their own orchestrations - and of course that company had a highly skilled arranger on staff in the person of Lambert.
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Margot Fonteyn as Giselle |
The sound is good on these recordings. The download includes the contemporary Gramophone review, plus additional production ephemera.
In addition to Miracle in the Gorbals and Giselle, Lambert was also in the studios to record three other ballets from the 1946 season - The Sleeping Beauty, Coppélia and Gavin Gordon's music for The Rake's Progress. I plan to transfer all at a later date.
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Ad in The Gramophone - click to enlarge |