Today is the day when I make good on that promise of said album. In it, Gilbert expands Rodgers's themes out to some 38 minutes or so, and makes them into convincing film noir background music. In doing so, the playful and lyrical aspects of the ballet score are shunted aside, perhaps or necessity, with the result being one dimensional, although enjoyable nonetheless.
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Mobster Matthau confronts crusader Egan |
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Gilbert |
Decca's sound was characteristically strident and overbearing, which I have attempted to tame, with good results, I think. This LP did come out in a stereo version, but my copy is mono only, I'm afraid.
The cover may have been one of the first times that two legs were used as a framing device for a cover. The Empire State Building provides a convenient phallic symbol for the imposing male figure, presumably crusading district attorney Richard Egan. It's not clear why a Manhattan DA trying to clean up the NY docks is in Brooklyn (or is it Jersey?), but I guess they couldn't get the right angle on the Empire State from the West Side.