More Fauré from Kathleen Long

My previous post of pianist Kathleen Long and the music of Gabriel Fauré  was surprisingly well received, so today I am offering her other recordings of that composer.

This is in the form of a 10-inch London release from 1950, comprising the:

• Theme and Variations in C sharp minor, Op. 73
• Barcarolle No. 1 in A minor, Op. 26
• Nocturne No. 4 in E flat major, Op. 36 

Although Decca-London issued the disc in 1950, only the Barcarolle was newly recorded. The Nocturne is from 1948 and the Theme and Variations from 1943. There is little if any difference in recording quality, however. The sound is good quality mono, here processed in ambient stereo.

I wanted to call the sound "honest," but that would be the pathetic fallacy, wouldn't it? That said, "honest" is one term that critics would sometimes apply to Long's pianism. Here is the critic of the American Record Guide on the music and these performances:

The three works on this disc are among his [Fauré's] best. Mature, reflective. gentle music, yet highly sophisticated in treatment, they grow on one with repeated hearings. It would be ungrateful to over-analyze Miss Long's playing of them, as she is so obviously devoted an interpreter. Suffice it to say that she is an honest pianist, has the notes well in hand, and plays with the utmost sincerity. 

Such faint praise was not universal, however. The New Records opined:

The distinguished English pianist, Kathleen Long, with the aid of [Decca-London's so-called] ffrr recording, makes available on this LP disc some of the finest performances of Fauré piano music that we have heard. This disc amply demonstrates that Miss Long is a thoughtful and highly intelligent artist - she is selfless in projecting the intentions of the composer of the music she plays.

I personally find her playing to be ideal in this composer. The transition from the theme to the first variation in Op. 73 is most affecting, for instance.

Gabriel Fauré and Domenico Scarlatti

Scarlatti - Two Sonatas

Kathleen Long

As a bonus, I've added Long's 1945 recordings of two keyboard sonatas by Domenico Scarlatti (1685-1757) - in A major, L45, and B flat major, L46. The composer was immensely prolific, having produced 555 such compositions in his 71 years. Long recorded about 20 of them, including L46 twice. This small sampling shows she was a sympathetic performer, although perhaps not in a style that might be favored today.

The Scarlatti performances were remastered from Internet Archive originals. The Fauré LP is from my collection.

LINK

Kathleen Long Plays Fauré and Françaix

The English pianist Kathleen Long (1896-1968) had a wide repertoire, but was particularly noted for her performances of Gabriel Fauré's music. In he two LPs comprising today's post we cover most of her recordings of that composer, while adding Jean Françaix's always-welcome Concertino. This is the pianist's first appearance on the blog.

Kathleen Long Plays Fauré

In this 10-inch LP, Long combines three middle-period compositions by the composer with his last piano work, the Op. 119 Nocturne. The latter is often considered one of Fauré's most profound creations. It is said to reflect his struggles both with increasing deafness and the approaching end of his life. As the anonymous sleeve notes proclaim, "In conclusion, expressed with a verity that mere words could never approach, we have the lassitude, the anxiety, the regrets and the despair of man as he stands on the threshold of the inescapable hereafter."

That description may be overblown, but the performance is not. Long was an understated artist a bit like Solomon, a frequent visitor to these pages. As with Solomon, the critics' views of her playing were mixed. The New Records claimed the disc represented Long at her best, while Roland Gelatt wrote in the Saturday Review, "The pianist plays this music with loving care, albeit stodgily at times."

The recordings date from 1944 to 1950. All but the Op. 31 Impromptu had been released on 78s. The sound is consistently good.

LINK to Kathleen Long Plays Fauré

Gabriel Fauré

Fauré - Ballade, Four Nocturnes; Françaix - Concertino

This 1954 LP of Fauré with a soupçon of Françaix contains all new recordings. In it, Long continued her exploration of the elder composer with four more Nocturnes along with his Ballade Op. 19, here in the version for piano and orchestra.

The Ballade has been recorded many times (even so, it managed to end up on a CD called "The Secret Fauré"), and rightfully so. It is elegant and a bit melancholy, like much of the composer's music. In this, Long's second recording of the work, she is ably partnered by the 44-year-old Jean Martinon, at the time the principal conductor of the Lamoureux Orchestra. Here he leads the London Philharmonic. It's a strikingly good performance.

Jean Martinon

In his High Fidelity review, Ray Ericson wrote, "Miss Long is not at first hearing the most seductive of pianists. She plays with a full tone most of the time, without a wide dynamic variation, although with many fine graduations. But how alive the music sounds, from the luscious individual tones through the phrasing up to the whole span. You hear everything - the voices superbly balanced and blended, the long lines sustained so as to keep the shimmering harmonies from disintegrating. Her performances can be played time and again without ever becoming pale."

Jean Françaix

Jean Françaix's Concertino, from 1932, is very much in the vein of his orchestral Serenade, which has appeared here three times (in versions led by Louis Lane, Anshel Brusilow and Eugen Jochum). The latter disc also includes the composer's own performance of the Concertino with the Berlin Philharmonic and Leo Borchard, made just five years after the work's composition. As I commented in that earlier post, the music manages to be memorable even though the whole piece lasts less than eight minutes. I recently remastered Françaix's recording in ambient stereo.

The sound on the second Long LP is quite good; the performances are highly recommended. Both albums are from my collection, transferred by request.

Let me also mention that you can find newly remastered Jean Martinon recordings of Prokofiev's Suite from The Love for Three Oranges and Classical Symphony here. They were made with his Lamoureux forces in 1953.

LINK to Fauré - Ballade, Four Nocturnes; Françaix - Concertino

Orchestral Music of Gabriel Fauré

Longtime friend of the blog Centuri recently mentioned a notable series of recordings from the ORTF (the Office de Radiodiffusion-Télévision Française), made some years ago. I have several of these LPs, so I decided to transfer this old favorite of mine, which came out in Barclay's Inédits ORTF series in 1971. The LP introduced me to several of Gabriel Fauré's less often heard orchestral works. It also includes one of his most famous compositions, the Pavane, here presented in the seldom-performed choral version.

The ORTF maintained any number of ensembles, including the Orchestre National, Orchestre Philharmonique, Orchestre Lyrique and the Orchestre de Chambre. This LP comes from the Orchestre de Chambre, which has not recorded extensively, but its role has been important, per Centuri. All its programs included premieres or unknown works, in particular under its principal conductor, André Girard, Centuri's first conducting teacher.

Antonio de Almeida

Leading the ensemble here is the French conductor Antonio de Almeida (1928-97), who himself was known for his devotion to unusual repertoire. For this LP he programmed incidental music for the play Caligula, written by Alexandre Dumas fils, here recorded for the first time complete. Also included is Fauré's music for Shylock, which includes two songs performed by the distinguished tenor Michel Sénéchal (1927-98). Finally, de Almeida leads the first recording of the choral Madrigal to a text by Armand Silvestre.

Michel Sénéchal

I find these works irresistible. Since the record came out 50 years ago, there have been a few integral recordings of Fauré's orchestral works but none have surpassed these in my affections. The composer has long been known more for his songs, chamber music and the oft-recorded Requiem, but his compositions for orchestra are very much worth your while.

The performances and sound are good, although the chamber orchestra does not have the depth of string tone that would be ideal for some of the music. The download includes a 1976 interview with de Almeida from Stereo Review.

Inghelbrecht Conducts Fauré

There has been quite a selection of recordings by the French conductor Désiré-Émile Inghelbrecht appearing on the classical newsgroups lately, so I thought I would do my part by transferring this recording of Fauré's surpassingly beautiful Requiem, which I had at hand.

Inghelbrecht, who died in 1965, had little reputation outside France, although his recordings did circulate in other countries - I have several of them on US labels. This recording of the Fauré Requiem and other choral works by that composer comes from 1955, when the conductor was 75.

D. E. Inghelbrecht

It is not entirely a success, in truth, both as a performance and as a recording. I have not been able to track down where the recording of the Requiem was made, but it sounds like a church - a church with  truck idling outside the windows. The balances can be awry as well - the first entrance of the male voices sounds like they are outside the church and down the block (perhaps they were looking for the idling truck making all the racket).

Inghelbrecht was a dry-eyed conductor, and he did not let the emotional temperature get too high in this performance. The rendition of "Pie Jesu" is much too fast, whether at the choice of the soloist or conductor. (Or maybe the idling engine was their waiting car?)

The other pieces are better done, seemingly in a different location, and the Madrigal and Pavane (with its optional choral part intact) have not been reissued, as far as I can tell.

Although the Requiem is attributed to the Champs-Élysées orchestra, I believe that is a pseudonym, and the actual musicians are from the Orchestre National de la Radiodiffusion Française.