Completing the RCA "Show Time" Series

I have been shamefully neglectful of this blog lately, but will be doing my best to make amends.

When I have had little to offer in the past, my friends have bailed me out, and this is yet another time when that is the case. So Parchisi and MusicalGuy38 are the heroes of this particular post. Together they are helping us complete the run of recordings in RCA's "Show Time" Series of 1953, with that label's potted versions of one big hit (Show Boat), one lesser although worthy musical (The Cat and the Fiddle), both from Jerome Kern, and, of all things, one of Victor Herbert's lesser operettas, Mlle. Modiste.

We'll discuss these in order of popularity, and few musicals have been more popular than Show Boat (or Showboat as it is sometimes spelled). A few words about the singers who have not previously appeared here. William C. Smith was Joe in the 1948 revival of this show, and appeared in several other shows in the 1940s. (I couldn't find a photo of him.) John Tyers duets with (and was married to) Helena Bliss. He had been in Arms and the Girl and was to be seen in a revival of Die Fledermaus in 1954. Completing this excellent cast is the always superb Carol Bruce.

MusicalGuy38 insists that Show Boat was mastered a half-step sharp, and now that I have listened I have no doubt he is correct. So there are two versions of this file in the download - a lossless, restored version at the original pitch, from Parchisi as remastered by me, and a speed-adjusted mp3 version from MusicalGuy38.

Stephen Douglass

Patricia Neway

The Cat and the Fiddle features two fine but neglected artists of the time - Stephen Douglass and Patricia Neway. Douglass had been in Make a Wish and was to be in The Golden Apple in 1954. He was yet to experience his greatest role - Joe Hardy in Damn Yankees.

Edward Roecker

The excellent contralto Patricia Neway mostly appeared in opera, with many appearances in contemporary works, notably in Menotti's The Consul. She later won a Tony as the Mother Abbess in The Sound of Music.

Mlle. Modiste comes from 1905, and features Doretta Morrow and Felix Knight, who have appeared here before, as well as the relatively obscure Edward Roecker, who appeared in operetta and on radio.

Thanks again to MusicalGuy38 and Parchisi for their contributions, which have helped me complete the collection of this series that documents some of the notable talents on Broadway at mid-century.

Another in RCA's "Show Time" Series

The latest installment in our slow-motion examination of RCA's "Show Time" series from 1953 is notable for documenting that year's revival of Porgy and Bess - but I particularly enjoyed the songs from Girl Crazy on the other side of the record.

Leslie Scott

This recording presents Cab Calloway, Leslie Scott and Helen Thigpen from the Broadway Porgy. Calloway is Sportin' Life, as he was in the 1953 production. Scott is Porgy, and he was one of the Porgys on Broadway. Thigpen is Bess, although she was Serena in the stage play.

Helen Thigpen with William Warfield

Calloway is vivid in this role, but as usual remarkable in the wrong way. Scott is a vulnerable Porgy, lighter voiced than such singers as Paul Robeson or even William Warfield. Thigpen is a shrill Bess. Jay Blackton conducts here; the music director for the stage was Alexander Smallens.

The LP was in effect a Gershwin double-feature, with songs from Girl Crazy on the other side.

Edie Adams and Rosalind Russell

Edith (Edie) Adams, a talented singer-comic actor, is delightful in "Embraceable You," complete with verse. She was in Wonderful Town with Rosalind Russell at the time of this recording. Also terrific are two then luminaries of Broadway, whom we have seen before in this series. Lisa Kirk does "But Not for Me" and Helen Gallagher "I Got Rhythm". Their previous appearances in the RCA series can be found here. Milton Rosenstock conducts.

RCA didn't bother much with documentation on these records. There is no identification of who sings what. "Bidin' My Time" is sung by a completely anonymous male quartet to close out the record. It's strange that the company was so off hand about such a well-produced, enjoyable series that shows what great talent there was on Broadway at the time.

Raitt and Morrow in RCA's Show Time Series

This being a blog founded on the thought that I would present 10-inch LPs, it might be appropriate for me to feature them every once in a while. So here is one of that species. It's another of the RCA "Show Time" Series of potted musicals, released in 1953.

This LP offers up two of the most popular shows of that or any other era - Rodgers and Hammerstein's Carousel and Oklahoma!

Doretta Morrow

The attraction of this series is the chance to hear the best talent on Broadway at that time. The two leads here are John Raitt, who had originated the role of Billy Bigelow in Carousel, and Doretta Morrow, who was starring in Kismet at the time of this recording. Raitt had recently been in Three Wishes for Jamie and was preparing the Burke-Van Heusen flop Carnival in Flanders.

John Raitt in Carousel

Raitt only gets one song on the Carousel side, a marvelous duet on "If I Loved You" with Morrow. However, he is heard on all the songs on the other side of the record. He does a duet on "People Will Say Were in Love" with the excellent Patricia Northrop (not Northrup, as she is identified on the record), who had appeared as Laurey in the 1951 Oklahoma revival on Broadway (and can be seen in this brief clip on YouTube).

Patricia Northrop

The Carousel songs are a showcase for Morrow, who is heard on all but one track. The anthem "You'll Never Walk Alone" is given to the multi-talented Brenda Lewis, who was on the stage in opera, operetta and musicals for many years.

The sound on this one is not the best that RCA had to offer at the time, but is good enough, if a little boxy. It doesn't dim at all the charismatic performances, which are led by Jay Blackton.

Latest from RCA's 'Show Time' Series

The latest installment from RCA Victor's 1953 "Show Time" series of 10-inch LPs features rerecorded highlights from two notable Broadway shows from the 1920s, both starring African American performers.

Sissle and Blake

The songs for Shuffle Along were written by the team of Noble Sissle and Eubie Blake. The successful 1921 show set the pattern for a number of similar shows through the 20s and beyond. The big hit from the show was "I'm Just Wild About Harry." The RCA version derives from an unsuccessful 1952 revival of the show, and includes Avon Long, Thelma Carpenter, Louise Woods and Laurence Watson, all from the revival cast. Blake, who continued performing into his 90s and was often on American television in later years, conducted the revival.

Long had played Sportin' Life in the 1942 revival of Porgy and Bess. Thelma Carpenter had a long career as singer and actress; I'll have to present her Decca LP sometime in the future.

Sissle himself was one of the stars of the original production, although he does not appear in the revival. I thought you might want to hear a record he and Blake made in 1920, just before Shuffle Along. This is not one of their own songs, but a version of Perry Bradford's Crazy Blues, which had become a huge hit for vaudeville singer Mamie Smith. I've included the Smith version as well, for contrast. Trombone player Dope Andrews, one of Smith's "Jazz Hounds," sets a record for slide trombone slurs that may never be broken. Both of these are from my original 78s.

Thelma Carpenter

Thelma Carpenter also can be found on the other side of the LP, in songs from Blackbirds of 1928. This show starred African American artists (Bill Robinson, among others), but had music and lyrics by the white team of Jimmy McHugh and Dorothy Fields. The big hit was "I Can't Give You Anything but Love," here presented by Cab Calloway. (Gratuitous aside: I just don't like Cab.) Brunswick recorded songs from Blackbirds of 1928 in 1932-33, and Calloway appeared on one of those records - although not on "I Can't Give You Anything but Love."

Good sound on these records, even on the acoustically recorded versions of "Crazy Blues," although the Mamie Smith version is worn.

Return of RCA's "Show Time" Series

Here's another installment in RCA's "Show Time" Series of potted musicals, issued in 1953. This one was spurred by a request for The Little Show, and so we start off with an EP that presents hits from that 1929 revue.

You'll notice that the cover calls this The Little Shows rather than The Little Show. That's because one of the songs is from The Third Little Show, from 1931 - "When Yuba Plays the Rhumba on the Tuba," which hardly merits its inclusion.

Carol Bruce as Julie

The star of this record is Carol Bruce, who presents two songs associated with Libby Holman (recently heard on this blog), outdoing the originator with superb versions of "Can't We Be Friends" and "Moanin' Low." Bruce is perhaps best known for appearing as Julie in the 1946 revival of Show Boat. At the time of this recording, she was touring in Pal Joey. I was so impressed by her performance, that I went in search of my copy of her 1958 Tops LP, only to find it has gone missing. I'll be sure to transfer it if I ever locate it.

The EP's second side is less enthralling. Sheila Bond (then in Wish You Were Here and previously heard on this blog post) belts "I Guess I'll Have to Change My Plan." Her rendition will be a shock to those used to the urbane Fred Astaire-Jack Buchanan version or the wry Sinatra recording.

Finally, Hiram Sherman sprechstimmes his way through "Yuba," Herman Hupfeld's other hit. Arranger Lehman Engel thankfully spares us the tuba effects. I wonder if Yuba, his tuba and Cuba inspired "Katie Went to Haiti," which didn't appear for another eight years. Sherman had won a Tony that year for putting up with Bette Davis in Two's Company, and would win another one 15 years later.

Note that although the back cover credits Howard Dietz and Arthur Schwartz with the score of The Little Show, only "I Guess I'll Have to Change My Plan" is by that team. "Can't We Be Friends" is by Paul James and Kay Swift, and "Moanin' Low" is by Dietz and Ralph Rainger.

Morrow and Lanza match pompadours

To fill out this post, I've added the Show Time Series version of Naughty Marietta, the 1910 Victor Herbert operetta with lyrics by Rida Johnson Young. For this EP, RCA paired Doretta Morrow with Felix Knight. Morrow was a fine artist who introduced many famous songs during her appearances in the original casts of Where's Charley (the incredibly gorgeous "My Darling, My Darling"), The King and I ("I Have Dreamed" and "We Kiss in Shadow") and Kismet ("Baubles, Bangles and Beads"). When this record was made, she had just appeared with Mario Lanza in the film Because You're Mine and was on Broadway in Kismet.

Felix Knight is perhaps best known for singing in three Laurel and Hardy films. A reliable artist, he pops up on a number of operetta recordings.

This version of Naughty Marietta was conducted by Jay Blackton, who was in the pit for many famed Broadway productions, starting with Oklahoma. He was conducting Wish You Were Here when these records were made.

More from RCA's "Show Time" Series

Helena Bliss

In this, the second installment in my protracted exploration of RCA Victor's 1953 "Show Time" Series of potted musicals, we hear from two favorites from my first post (Lisa Kirk and Jack Cassidy), one less-favored hold-over (George Britton) and two other performers who were prominent on Broadway at the time (Helena Bliss and Helen Gallagher).

In the "Show Time" Series, RCA devoted one side of a 10-inch LP to the high points of a notable musical. Each was also offered as an EP. This LP combines Kiss Me Kate of 1948 with Anything Goes from 1934.

Lisa Kirk - from the original cast - is top billed in Kiss Me Kate, but performs only one number - "Always True to You in My Fashion," which she introduced. The other songs are presented by George Britton, who had succeeded Ezio Pinza in South Pacific, and Helena Bliss, who herself had recently been in a London revival of Kiss Me Kate. Bliss' most famous role was in the Wright-Forrest Grieg farrago, Song of Norway. She soon was to appear in a Broadway revival of Show Boat.

Helen Gallagher

The other side of the record, devoted to Anything Goes, is dominated by Helen Gallagher, who had the daunting task of presenting songs that had been introduced by the force of theatre named Ethel Merman. Gallagher, herself no little personality, was appearing on Broadway in Hazel Flagg, the musical version of the screwball comedy Nothing Sacred. When Hazel Flagg was made into a movie, under the title Living It Up, Hazel somehow turned into Jerry Lewis. (Lady!!)

Gallagher acquits herself beautifully here. Although she was on Broadway for many years, she is perhaps best known today for her many years in American soap operas. Jack Cassidy duets with her on "You're the Top."

The sound here is quite good. More to come.

Lisa Kirk and the RCA Show Time Series

When RCA Victor decided to issue a series of musical comedy recordings in 1953, for the most part it turned to performers who were then in leading roles on Broadway, but it made sure to include Lisa Kirk, who, will not then currently in a play, had been memorable in Allegro and Kiss Me Kate in previous years.

The post is something of a tribute to Kirk, a wonderful singer who is heard far too little these days, as well as RCA's venture into potted musicals. It includes three of the shows RCA issued in its Show Time Series, along with a number of Kirk's RCA singles from the same era.

The Show Time Series included four songs each from 18 shows. Limiting the number of songs to four meant that the company could issue each show on an EP, and combine two shows on a 10" LP. It also differentiated the RCA effort from Columbia's popular series of records that already had presented LP-length revivals of several shows - notably Pal Joey, which led to it being revived on Broadway.

The RCA and Columbia series shared a number of artists - Jack Cassidy, conductor Lehman Engel and, notably, Harold Lang, who starred as Pal Joey on the RCA record and in the subsequent revival.

We begin this post with an RCA LP that combined songs from two Rodgers and Hart scores, Babes in Arms and Jumbo, both featuring Lisa Kirk. On the Babes in Arms side, Kirk is excellent in "The Lady Is a Tramp" and "My Funny Valentine." William Tabbert, who was then on Broadway as Joe Cable in South Pacific, does "Where or When" (not very well). And Sheila Bond, who was in Wish You Were Here at the time and won a Tony, has her way with "Johnny One Note."

In the songs from Jumbo, Lisa has only "Little Girl Blue." Joining her is the superb Jack Cassidy on "My Romance" and "The Most Beautiful Girl in the World." Cassidy was starring with Sheila Bond in Wish You Were Here at the time. The LP is rounded out by Jordan Bentley (Wreck in Wonderful Town - "I could paaaaas that football"), with "Over and Over Again."

Before moving on to Lisa Kirk singles, I've added a bonus EP of The Band Wagon, with two songs from Harold Lang. Lang started as a dancer, and while he could sing, subtlety was not his specialty, perhaps because he was used to playing such bluff characters as Pal Joey and Bill Calhoun (he was in Kiss Me Kate with Kirk). Here Lang blasts his way through "I Love Louisa" and "New Sun in the Sky." Lang is joined by George Britton, who had replaced Ezio Pinza in South Pacific, and Edith Adams (later Edie Adams), who was in Wonderful Town at the time. Britton does "Dancing in the Dark" and duets with Adams on "High and Low."

Billboard ad

Finally we have six Lisa Kirk songs from RCA singles - "Exactly Like You," "You're a Sweetheart," "Charlie Is My Darling" and "Beautiful Brown Eyes" from 1951, and "Do Me a Favor" and "King Size Kisses" from 1953. Kirk is generally fine but the material is variable here. None were hits (although Rosemary Clooney's rival - and superior - cover version of the country tune "Beautiful Brown Eyes" was a good seller).

The sound is excellent on all items except for the first two singles mentioned, which are transferred from a worn 78. The download includes contemporary photos of all the artists mentioned.

I've often remarked that it's a shame that a certain artist isn't better remembered - and that's once again true with Lisa Kirk, a glamorous, talented singer and fine actor. I'll probably be back later with one of her LPs.

NEW LINKS - REMASTERED AND REPITCHED VERSIONS (JUNE 2014):

BABES IN ARMS-JUMBO | BAND WAGON | SINGLES