Showing posts with label Pied Pipers. Show all posts
Showing posts with label Pied Pipers. Show all posts

13 December 2025

A Budget-Line Christmas

It's rare that I would feature budget recordings, but they are often interesting, giving you a chance to hear name-brand artists who were past their peak and others who were mainly professional studio singers.

Today we have two LPs on the Tops label that are good examples. The names on the two covers are Martha Tilton, famed from her work with Benny Goodman, and the Pied Pipers, who first became popular with the Tommy Dorsey band.

In true budget-label fashion, the name artists present a minority of the songs on these LPs. Most of the singing is by artists with lesser pedigrees - folks who made a living in vocal groups and in the studio setting; little-known but undeniably talented.

Before I give the details about the songs and singers, let me mention that this post is made possible through the generosity of frequent collaborator Ernie Haynes, whose Ernie (Not Bert) site is well into his annual foray into the wide world of holiday music. I told him I was looking for the Pied Pipers LP, and he not only came up with a transfer, it was the stereo version - and he sent along a stereo version of Christmas at Our House, the album that touts Martha Tilton on the cover. I had only the mono version of the latter.

Both The Pied Pipers Sing Christmas Carols and Christmas at Our House came out in 1958, at first in mono and a bit later in stereo.

The songs on these LPs are what you might expect - well-worn holiday classics, most of them in the public domain, and most repeated on both LPs, although not by the same vocalists. 

What follows are some notes about the artists involved, who were barely mentioned by Tops, except for Martha Tilton and the Pipers. The rest are only named on the labels - and even then not always accurately.

The Pied Pipers - Lee Gotch, Sue Allen, Allan Davies, Clark Yocum

Let's start off with the Pied Pipers, who as I mentioned became known with Tommy Dorsey's band - that is until one of the members made the bandleader mad and was fired. The entire group then quit the band in solidarity. The object of Tommy's ire was Clark Yocum, still in the group when this record was made.

The leading light of the Pipers back in the Dorsey era was Jo Stafford. By the time this record was made, the female lead was Sue Allen, a studio singer who had been in several well-known groups. The other members were Lee Gotch and Allan Davies. Their performances here are pleasing, and amusing when appropriate, such as their version of "Jingle Bells."

The Pipers sang on six of the 12 numbers on the LP named for them, but not at all on the other record.

Martha Tilton

The artist mentioned - in relatively small print - on the Christmas at Our House LP cover, Martha Tilton, was with Goodman's band in the 1930s, then had some hits as a recording artist for Capitol in the 1940s.

Although Martha is touted on the sleeve, she is heard only on two songs - but they are the high points of the LP. Like the Pied Pipers, she makes "Jingle Bells" fun again, even including the seldom-sung second verse. And she has a good time with "Rudolph" and his red nose as well. Tilton does not appear on the other album.

Marni Nixon

The singer with the most numbers on Our House LP is the well-regarded vocal double Marni Nixon, with three - "Silent Night," "O Little Town of Bethlehem" and "Away in a Manger." Her perfect technique is well in evidence throughout. She also does not show up on the other disc.

John Gustafson

Just as impressive is tenor John Gustafson, who was allotted two songs on Our House - "The First Noël" and "Deck the Hall." Gustafson recorded gospel music and was a choir director in the Los Angeles area. He too was not selected for the other album.

Thurl Ravenscroft

Thurl Ravenscroft's mighty bass was celebrated here recently, so it's good to hear him in holiday mode with "God Rest Ye Merry, Gentlemen," even though he is uncharacteristically subdued on that number. On the other disc - at least the stereo version - the label claims that he sings "Joy to the World," but the pleasant fellow who spreads holiday cheer is not Thurl, but a lighter-voiced singer who may be Bill Reeve, discussed below.

Thurl's version of "Joy to the World" actually does appear on the mono edition of Christmas at Our House, so I've added that track to the end of the transfer.

Doris Drew

Doris Drew had been a band singer, then recorded several singles followed by a well-regarded LP for the Mode label in 1957. She later became a voice artist. For these records she contributes charming versions of "White Christmas" and "The Christmas Song."

John Gabriel

Singer-actor John Gabriel, then in his 20s, was appearing as a guest star on television shows when he recorded "It Came Upon a Midnight Clear" and "Hark! The Herald Angels Sing" for these LPs. He later would have a long-running part on a TV soap opera, appear on Broadway in The Happy Time and become a producer.

Norma Zimmer

Norma Zimmer was a well-regarded studio singer when she recorded of "Joy to the World," "It Came Upon a Midnight Clear" and "The First Noël" for Tops. She would later become famous as the "Champagne Lady" on Lawrence Welk's television show.

Bill Reeve is the most obscure member of this cast. His credits include a vocal in Disney's Westward Ho The Wagons! and the pre-recordings for the Ice Follies of 1953 - where he worked with Norma Zimmer. He sings on both LPs - "Silent Night," "O Come! All Ye Faithful" and (I think) the stereo "Joy to the World."

Tops kept the musical background simple for these records - just "George Mather at the console," presumably handling the both electronic organ and chimes. (The latter do tend to get in the way, if truth be told.) The recording is typical of early stereo - mostly the vocalist and the chimes on the left and George and his organ on the right. It is otherwise pleasing, although too much reverb was added to the stereo vocals. Sorry, I haven't been able to find any information about the organist.

The mono artwork

Tops named its stereo line "Mayfair" and at least in these early days pressed the discs on yellow vinyl. The stereo LPs also had different covers. For record nerds like me (and Ernie), the much different mono covers are shown above.

LINK to Christmas at Our House

LINK to The Pied Pipers Sing Christmas Carols

06 May 2019

Ernie Felice at Capitol, 1947

Jazz accordionist Ernie Felice first came to public notice as a member of the Benny Goodman Quintet in 1947. Benny was just then embarking on a record deal with Capitol, and was able to get Felice a contract there as well.

Capitol was enthusiastic about the young instrumentalist. It not only recorded him with Benny and Felice's own group, it featured him with Martha Tilton, the Pied Pipers and vocalist Joe Alexander.

All this happened in the same year, finishing with a flourish in the last few days of December as the record companies rushed to finish as many sessions as possible before the Musicians Union instituted a recording ban to commence on New Year's Day 1948.

This post takes you through Felice's 1947 activities at Capitol, adding his sole V-Disc, which also was recorded that year. Most of these transfers come from the vast reaches of Internet Archive, but all have been suitably remastered and the sound is uniformly excellent.

If you haven't heard or heard of Felice, I can promise you that he is a virtuoso on his instrument, an imaginative soloist and a powerful swinger.

Felice's first session with Goodman was on March 7, resulting in a single of "Street of Dreams." This was soon followed by "How High the Moon," "Music Maestro Please" and the terrific "Bannister Slide." As you will note on the labels of these early recordings, the accordionist was then using the original spelling of his last name, "Filice." He changed it late in the year.

From Capitol News, April 1947
Felice's own quartet was in the studio at about the same time. It featured clarinetist Dick Anderson with a rotating bassist and drummer. "Dream a Little Dream of Me" and "Carolina Moon" were followed by a coupling of "O Solo Mio" and a wonderful reading of Zez Confrey's "Stumbling."

"Accompaniment Styled by Ernie Filice"
Felice backed up former Goodman vocalist Martha Tilton on two titles: "All of Me" and "Every So Often." The latter is a little known but very fine Johnny Mercer-Harry Warren song. Although I've collected vocal records for several decades, I've never paid much attention to Tilton. My mistake - she's very appealing here.

The Pied Pipers had struck out on their own after leaving Tommy Dorsey, and soon joined Capitol. Felice backed the quartet (who then comprised June Hutton, Hal Hopper, Chuck Lowry and Clark Yocum) on their coupling of "I Have But One Heart" and "The Lady from 29 Palms." For those not familiar with California locales, 29 Palms is an oddly named city near San Bernardino.

Joe Alexander
Capitol added Felice to Dave Cavanaugh's group for a single side with baritone Joe Alexander, who made about 20 sides with the label in 1946-47. Capitol billed the singer as its answer to Billy Eckstine, but to me he sounds more like Don Cornell, then with Sammy Kaye, or even (horrors!) Vaughan Monroe. Irving Berlin's "I Never Had a Chance" is a good song, though, and Alexander does it well.

The balance of the singles in this set were released in 1948, although recorded in late 1947. Along with instrumental takes on the standards "Street of Dreams" and "Love Me or Leave Me," there are two amusing vocal novelties. One is titled "Woo-Ca-Ma-Choo-Ga" on the label and "Woo-Ga-Ma-Choo-Ga" in the ad above, which is how Felice sings it. (He and Anderson helped write it, so they ought to know.) The other is "Oodles of Boodle and Batches of Cash." Both are very similar to the type of material in the Page Cavanaugh Trio's book at the time. Both groups were Los Angeles-based, and both ended up in Soundies and the like, and in supporting roles in the output of the Hollywood film factories.

From Capitol News, October 1947
On YouTube, you can see Felice's group backing the Pied Pipers in "Dream" and the wonderful June Christy in "Sposin'" and "Taking a Chance on Love." Felice also appeared in the Jane Froman biopic With a Song in My Heart backing Susan Hayward (dubbed by Froman) in "It's a Good Day."

The final item is a V-Disc version of Duke Ellington's "Solitude." I believe this is the master issued on Capitol 486 and later on the LP Cocktail Time, with the addition of a spoken introduction by Felice. "Solitude" would hardly be my first choice as a record to appeal to lonely soldiers, but it does have a slow and muted introduction that facilitated the overdub of Ernie's introductory message.

The Cocktail Time LP came out in 10-inch form in 1950, expanded to 12-inch in 1955. It includes some of the items in this collection, plus others. Capitol also released Felice's Accordion Powerhouse in 1952, another 10-incher. I have both LPs and can transfer them if there is interest.

Beside Capitol, Felice recorded for the short-lived F and P label that he started with Les Paul, for Liberty with a group called the Hi-Fi's and for RCA Victor, all in the 1950s. I may post a few of these items on my singles blog.

The download includes more Felice ephemera from this period, including a publicity photo of his group with what appears to be a dead mule - one of the strangest promotional pictures I have ever seen.