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| Hugo Friedhofer |
Although it is Friedhofer's score, he based the main musical cue on a melody by the Greek composer Takis Morakis, who is barely noted on the cover. Add Paul Francis Webster's lyrics, and you have a attractive pop song featured over the opening and closing titles.
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| Mary Kaye |
Why the change? Most likely because London was contracted to Liberty Records, which did put out her rendition as a single. It's not the soundtrack version; on the 45, the singer is backed by a solo guitar played by Howard Roberts. Decca belatedly came out with a competing version from Kaye. Neither were particularly successful, although both are excellent. I've added the London single to the download as a bonus.
Apparently co-star Sophia Loren also sings the tune in the film, but I don't have that one. That's Loren on the cover, looking distracted as Alan Ladd bends over to either kiss her shoulder or sniff her armpit. This is one of a long line of awful Decca covers from the period.
Friedhofer's music for the film is atmospheric and very enjoyable, making effective use of Marni Nixon's wordless vocals at times. The orchestrations are by Edward B. Powell, and Lionel Newman conducts the band. The sound is very good.
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