
I feel fortunate to follow up last week's post of rare Virgil Thomson with more Thomson from Philadelphia, again courtesy of Joe Serraglio.
This is if anything even more worthwhile, with some of Thomson's most successful scores. The Three Pictures are simply superb - I suggest you read the composer's note for a lucid discussion of both his intent and his technique. On the latter topic, Thomson writes, "The value of the procedure lies, of course, not in its ingenuity but in whatever suggestive power it may be found to have." In the case of these works, that power is considerable.
The William Blake songs are just as successful, if in one case controversial. One of the songs here is a setting of Blake's The Little Black Boy, intended as a plea for racial equality, but at times interpreted as itself racist. With hindsight, it is easy to understand why - Blake's poetry contrasts the boy's black face and white soul, for example. These recordings have been reissued twice - in both cases without this song. Accounts differ about whether this was with the consent or against the wishes of Thomson. I certainly hope I don't offend anyone by posting the full set. I am sure, though, that everyone will agree that the music is exceptional - both simple and sophisticated, in Thomson's usual manner - while Mack Harrell's singing is faultless. The songs were written for him and it shows.
The Pictures were recorded in February 1954 with the composer conducting, and the songs in November 1952 with Eugene Ormandy on the podium - both in the Academy of Music.
Again, the transfer and scans are by Joe - I was on the clean-up detail. Thanks again, Joe!
thanks for rescuing these recordings, especially avoiding revisionist history by included previously eliminated tracks. When will people learn that you can change history. what happened, happened. THANKS JOE!!!
ReplyDeleteMany thanks...Pity for low bitrate :)
ReplyDeleteTo clarify - it is a 320K mp3, the highest bitrate available for an mp3. It may show as 160K because it is a mono file.
ReplyDeleteBuster, Virgil Thompson's "Three Pictures for Orchestra" is about as close to expressionism as I have ever heard from him, especially the brooding, roughneck "Sea Piece With Birds." I didn't things would get any more knotty than the wheat field depiction but I was proven wonderfully wrong. This is great music--part of a great chain of American place-evocation music that I trace back to Griffes, Ives and the fabulous like. I want to personally thank Mr. Serraglio, a generous contributor to other blogs which are interested, as is yours, in great historic performances of American music. I grew up with the Philadelphia Orchestra and I remember how committed Ormandy was to mainstream modern American music. I still remember hearing William Schuman's "Credendum" and being deeply moved. Do you, by any chance, have the LP and, if so, can you be persuaded to share it? One last thing: bit rates hardly matter. The point is to hear this music. And Mr. Serraglio's transfer served that purpose well. Three cheers for 320K! And nine bows each to you and Mr. Serraglio!
ReplyDeleteThanks David - I have a several Ormandy/Philadelphia recordings of Schuman. Whether Credendum is among them, I don't recall, but I will check.
ReplyDeleteBy the way, Joe provided lossless files to me for re-EQing. I then turned those into high bit-rate mp3s. I used to offer flacs here, but readers are much more interested in mp3s, so that's what I now present.
Ah, this excellent collaboration (which, IMO, sounds much better than the "Columbia Special Products" reissue in fake stereo that I used to have in my vinyl library) really fills a need in anyone's collection of Americana.
DeleteIt brings back, to me at least, a vivid recollection. A year or two after I had studied musicology with Lou Harrison, VT was engaged by the San Jose Symphony (no doubt as the idea of its young, enthusiastic, and intellectual conductor George Cleve) to conduct at least one of his pieces. The great composer came to San Jose, and Lou called me up on the phone, saying, "Steve--you HAVE to talk to Virgil!" (Thomson had been Harrison's mentor in NY, encouraging him to become a reviewer of concerts for the newspapers. Of course, at the time, VT was the Grand Old Man of the American avant garde musical scene, not quite the enfant terrible of earlier days but still a formidable, stern figure of righteousness, railing against the cant of the ossified musical establishment--and an especial enemy of Toscanini's rigid style! VT was, in fact, known to be willing to antagonize ANYBODY with his waspish, sometimes ill-tempered (certainly justified, from HIS perspective!) opinions.)
I was quite conflicted--dare *I*, a mere youngster and 'radio critic wannabe', face this Oracle? Would I be decimated and vanquished and ridiculed?
I needn't have feared, for Thomson turned out to be -- to my utter shock -- a 'sweet old gentleman' who could not have been kinder or more considerate--even opening our discussion by complimenting ME (!!) saying, "I've been looking forward to our conversation, based on what Lou told me of you!"
I am still so stunned by this that years later, I can no longer recall a WORD that VT said about "The Seine at Night", the short composition of his that he subsequently directed at the SJ Symphony concert. A friend was engaged to record it by the orchestra and I heard the tape numerous times (and had to wince occasionally at the sour string playing of the newly reorganized group, which was still very raw and had not adjusted to Cleve's formidable personality.) Needless to say, the Philly are far more sophisticated and smooth sounding in this old Columbia Masteworks taping!
8H Haggis
Hi Buster
ReplyDeleteI didn't know about that is 320kbps stereo = 160kbps mono.
p.s Blog is great...thanks!
Thanks for posting this, Buster, which I will download immediately. And thanks for not editing William Blake, surely among the saints, whatever modern misreadings might suggests otherwise.
ReplyDeleteThanks for these 2 Thomson's LPs are fantastic; the influence of French Music ( that of the 1st half of XX° century) is sometimes obvious.
ReplyDeleteOther Thomson and/or Griffes are much welcome !!
Centuri - yes, Thomson acknowledged that he was at home in both Kansas and Paris. I have more Thomson coming up.
ReplyDeleteDear Buster,
ReplyDeleteI'm very impressed by your Virgil Thomson treasures. I had never heard of him before and I wanted to ask you when your are intending to post LOUISIANA STORY's Acadian Songs and Dances from the film? In particular the recording by Thomas Scherman and the Little Orchestra Society from 1952 you mentioned a few posts earlier.
I can't wait for the next Thomson installment!
Take care,
Son of Colonel Saunders
@ Son of Colonel Saunders,
ReplyDeleteYes, the Acadian Songs and Dances are coming up, although not in the next few days. I'm very pleased that you like Thomson.
@ David,
Don't have Credendum, sorry! FYI - there was a reissue on Albany; also a new recording of the piece, I believe.
Buster - I have the Ormandy Credendum on vinyl, since high school, but it's in very decent shape. I also have it on the Albany CD. No ticks but maybe the vinyl is closer to the spirit and the original sound. The new recording by the Albany Sym ain't chopped liver by any means, but the Ormandy is the premiere recording, it has the gravitas, and the cachet. I could post it on SymShare, but let me know how to send it to you directly if you like.
ReplyDeleteRich
Hi Rich - busterooni@gmail.com. Thanks - super of you to do this.
ReplyDeleteI made a digital transfer of the Ormandy Credendum from a worn library copy and would be willing to provide that as a stopgap but I would prefer to hear Rich's transfer from good vinyl. The work blew me away. It is a wonderful piece.
ReplyDeleteThanks once more to Buster for cleaning up my Thomson transfers so well. His MP3s @ 320 (160 mono) dont bother me a bit--I can't hear the difference between those and FLACs, so unless one plans to do further editing, I dont really see the need for lossless files.
Hi Joe - I agree about FLAC-mp3. However, if anyone really wants FLACs, I do have them because I archive lossless files - for the reason you mention.
ReplyDeleteBuster, I just listened to Thompson's Blake songs for the 10th time. Mack Harrell (wasn't he featured in the Mitropolous recording of "Wozzeck"?) is incredible and does full justice to this extra-extraordinary song cycle. This is really an important posting and I can't thank you enough for it. That this work isn't recorded and that no one has seen fit to reissue the Ormandy performance is just further evidence of the apocalypse. I am so glad I lived long enough to hear these profoundly beautiful, intelligent and sensitive settings.
ReplyDeleteThanks David - I believe Mack Harrell was in the Mitropoulos Wozzeck, yes.
ReplyDeleteI've become a bit obsessed by thomsom.... so i was disappointed to see that teh link was dead....
ReplyDeleteI will name my firstborn after you if this could be re-posted....
Much appreciated....
Evilbiggie - I have to say, going through life with a name like "Buster Evilbiggie" might be tough. However, I certainly will report the files if I have them. It seems to me that this one was sent in my one of my friends.
ReplyDeleteOh, and I will be posting an excellent version of "The Plow That Broke the Plains" soon.
ReplyDeleteSoooooo nice, thank you.
ReplyDeleteafter the crappy day i had, to find all three of these reposted!!!!!
Newly remastered version (Apple lossless):
ReplyDeletehttps://mega.nz/#!2Ms3BRqA!AoQNtxX9BIA8_kvWG0FjNjIjz07ZKLBnLoiT69egpF8
Many many thanks for your generosity in sharing your love of music with - very much appreciated.
ReplyDeleteCheers,
Douglas (UK)
Thank you, Buster.
ReplyDeleteRich
Thanks for this Thomson also -- I don't think any of the Ormandy recordings of Thomson have ever been released on CD. --Mike R.
ReplyDelete