
Here is the first such item, a Columbia LP from 1956 from the Jazz and Classical Music Society, which was formed the previous year by Gunther Schuller and John Lewis - the former from the classical realm, the latter from jazz. The idea was (as the name suggests) to bring together composers and instrumentalists from both sides to form something new. This effort would later adopt the name "third-stream" music.
In this, the earliest example of such music, we have several pieces for a large brass ensemble. Side one is a Schuller symphony that was not written for this ensemble. Here it is conducted by Dimitri Mitropoulos, who apparently also programmed it with the New York Philharmonic.
The second side has compositions by three famous jazz artists - Lewis, J.J. Johnson and Jimmy Giuffre. None of these compositions are in any recognizable form jazz, nor are they what we would usually consider classical music. They are a form of concert music that many musicians were interested in pursuing at the time, perhaps concerned that jazz was not "serious" enough.
This music does indeed sound very serious - it is at times attractive and at times impressive, and often both. What it is missing, however, is what made the Reiner-CSO performance of Liebermann's piece stand out - wit and swing. Even so, there is much here to enjoy - particularly the superior instrumentalism of the band and soloists Miles Davis, J.J. Johnson and Joe Wilder.
This was one of those transfers from hell - two turntables, three cartridges and four styli later I have an acceptable product, although some restle remains in the Schuller. The next post in this line will be pianist Friedrich Gulda, who managed to straddle both the jazz and classical worlds successfully.
Buster, This is one time where I disagree rather strongly with you. The John Lewis and J.J. Johnson pieces are vastly superior, in my opinion, to Lieberman's music--both from a standpoint of composition and solos. John Lewis's pieces--so in the vein of his music for "One Never Knows--inspire some of Miles Davis' most memorable solos and serve as warmups to his great collaborations with Gil Evans. Go back to the middle movement and listen to Miles as he floats above the modulating brass. It still gives me gooseflesh after all these years. J.J. Johnson's fugue in the third movement of his piece is wonderful--as is the heart-rendingly soulful but all-too-brief trumpet solo in movement two by Joe Wilder. As for Giuffre, "Pharaoh" is not jazz but it should be standard repertoire with every brass ensemble in the world. I bought this record from the Columbia Record Club in 1956 (or maybe 1957) and it became a musical talisman until I went to college. However, it has always been with me as one of my all-time top ten jazz albums. Yes, jazz. In any case, a million thanks for this post. It is cause for celebration.
ReplyDeleteHi David - I wasn't too excited by the compositions, but the solos are excellent (as I noted). You know, to me a lot of this has to do with what you value and are seeking in a composition - which of course varies from person to person. Happy as always to have your reactions, which I always find enlightening!
ReplyDeleteHi Buster:
ReplyDeleteI haven't listened to this yet, so I can't vote for one piece over another. Nonetheless, thanks for the post. I don't know the record or the pieces yet, but I love Gunther Schuller and Dmitri Mitropoulos, and am eager to hear the pieces. Your collection must be amazingly interesting.
Hi Larry - Not sure how interesting, but it certainly is extensive!
ReplyDeleteI really enjoyed these! David...some portions, at the beginning of the Schuler, reminded me of some brass excerpts I've heard, from movie scores by Leonard Rosenman. Another work for brass I enjoy is "Music For Brass Instruments", by Ingolf Dahl. The 2nd movement, "Intermezzo", seems to be popular.
ReplyDeleteGil
This album is about my favorite, of which I have many, on this site. I play this many times during the month and find it quite beautiful. Thank you.
ReplyDeleteMiles Davis and Joe Wilder are both featured in the JJ Johnson piece, which makes it very interesting because Miles really admired Joe's tone and style.
ReplyDeleteBuster, pleased, after so many years I came to find your FABULOUS colection of jewels with an irreprehensible sound quality. Congratulations!!!
ReplyDeleteA modest asking, please, I didn't find link for The Jazz and Classical Music Society. Sorry I didn't findon this comments list.
cvllos - Hi there - I'll re-upload the files tomorrow, assuming I can find them!
DeleteDear Buster, don't worry: I can manage to find it on any other place; it was a big pleasure to have a nice afternoon visiting & exploring your place!
DeleteRemastered version (Apple lossless):
ReplyDeletehttps://mega.nz/file/WQtTjCxY#oXD8BXYkmV7amPyPUa6exuk_M2HKb00f30non-NuNjI
Thank you SO MUCH, Buster!
ReplyDeleteI wouldn't lose this one for nothing!
Yo can count on me for any search you need, my friend!
BTW, Buster, Avakian essay on the back page is very, very outstanding! Who would do it better?
ReplyDeleteSorry, Buster...I'm new on this team and forgot - what a shame! - to congratulate your 1 thousand posts! May be it was exactly Music for Brass...
ReplyDeleteLong live & another thousands,my dear friend!