04 September 2008

Raymond Scott


Raymond Scott enjoys quite a reputation these days among certain cognoscenti, and why? Mostly because some of his tunes were used repeatedly in classic Warner Bros. cartoons.

Perhaps that's a little unfair to the bandleader, whose original arrangements on this record are quite witty and enjoyable. But it contains a kernel of truth.

This 1949 release was the first LP devoted to Scott. It contains the records that brought him latter day fame - In an Eighteenth Century Drawing Room, the Toy Trumpet, and especially Powerhouse. I'm tempted to say it's all anyone would need of Scott, but I am sure many people would argue that in his later recordings he was an innovator, iconoclast, etc. And maybe that's true. But to them I riposte by presenting the Society National March, a promotional recording he made for a Cleveland bank in 1960, which I have appended as a bonus of sorts. I love it - but it's about as far away from musical innovation as you can get. The cover is below.

6 comments:

  1. I've followed your advice, and purchased the above 10" at eBay. The 1st one (yes, I had to order it twice!) was completely destroyed, and the one piece I was especially looking forward to, "Huckleberry Duck", had some irreparable skips.

    Copver & disc are hanging at my wall now as artifacts of a long gone era.

    Anyway, I found another copy for a reasonable price. The other LP with Raymond Scott I've discovered contains his more swingin' stuff.

    One composition is even moving one to tears: "When Cootie Left The Duke" ;)

    Best,

    Brew

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  2. Thanks, Brew. Hope you enjoy both the music and the artifacts. Makes collecting worthwhile, I think.

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  3. This one seems to have gotten away! :(
    Would there be any chance of a 're-up' of this?

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  4. Remastered version (Apple lossless):

    http://www.mediafire.com/file/8xbsvnxz49kxw77

    Please note: "Powerhouse" and "The Toy Trumpet" were originally issued about a quarter-tone sharp, which helps give those tunes their slightly demented quality. I have retained this higher pitch in these transfers, adding pitch-corrected versions for good measure.

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  5. Thanks for redoing this Buster, I must have missed it the first time around. Most of the Raymond Scott I find is his later, sappy, string-laden stuff, so it's nice to hear the earlier "cartoon music". :)

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