03 March 2013

Marc Blitzstein - Theater Songs

Marc Blitzstein is not a well-known name these days, but he did achieve some renown as a composer during his lifetime. His best known work is probably the labor musical The Cradle Will Rock, followed by the opera Regina. The latter has been recorded twice, as has his wartime Airborne symphony (conducted both times by Leonard Bernstein).

Blitzstein
This present record collects songs from his less well-known works, with the composer at the piano and the excellent Muriel Smith singing. The recordings were made in December 1947; this 10-inch LP dates from a few years later.

Smith first became known in the title role of Carmen Jones on Broadway in 1943. She was appearing in a revival of The Cradle Will Rock when this record was made. Smith later spent much time in London, and was a vocal double for several films, notably for Juanita Hall in South Pacific. I have at least one of her LPs, and may share more of her work here.


Smith as Carmen Jones
My copy of this album does not include any notes, although it is possible that they were included in the original issue, which came in an envelope rather than a cardboard cover. Here are a few notes on the songs that may be helpful. The information is mainly derived from Leonard Lehrman's bio-bibliography of the composer:

"Mamasha Goose" - comes from the unfinished 1945 American-Soviet friendship musical Goloopchik. The song is sung by a child in Russia attempting to entertain two American soldiers. Music is from folk sources; words by Blitzstein. I believe "goloopchik" is a term of endearment.

"In the Clear" - is from the 1941 leftist opera No for an Answer, which only achieved a few performances at the time. The words are by the composer.

"Orpheus" - is from the 1937 incidental music for Shakespeare's Julius Caesar. Here the piano tone has been altered to give an antique sound to the accompaniment.

"Ode to Reason" - is a solo song from the incidental music from a 1938 production of Georg Büchner's Danton's Death. The piano tone has been altered here as well.

"Song of the D.P." also is from Goloopchik. It is sung by a displaced woman ("D.P." = displaced person) who has been repatriated to Russia by the Nazis. It was drawn from some of Blitzstein's experiences in the US Army.

31 comments:

flurb said...

Thanks for the extraordinary, rare find!

JAC said...

This is a remarkable release to discover. Thank you!

That said (and after years of teaching and writing about the musical theater composers) I have regretfully decided that I'm just not on Blitzstein's wavelength. His history and the projects he worked on are exceptionally interesting, but I just don't find the music successful or convincing. Many others do, I know. And I'm grateful to have the chance to try more of his music with this release, and perhaps change my mind.

Buster said...

Thanks for the great comments, folks.

JAC - I do know what you mean about Blitzstein - and I am sure I own pretty much every recording that has been made of his music - but you may be pleasantly surprised by this one.

Leo said...

Thanks for this Buster. I happen to halfway through reading the new biography of Blitzstein - mainly for research purposes - and it's very hard to find his music other than Cradle Will Rock, the Airborne and the Broadway musicals so this is great.

Buster said...

Leo - I transferred No for an Answer several years ago. I can see if I can find that transfer if you haven't heard it.

MusicalGuy38 said...

Thanks!

Wortley Clutterbuck said...

Thanks. Like your other readers, I spent some effort trying to like Blitzstein -- in my case after hearing the lovely white-key song "I Wish It So." I'm sure others have had the experience of falling in love with a writer from one song or book, rushing out to find more, then realizing, with a sinking feeling, that you've already heard/read the piece you like best. What's an addict to do? Thanks again for unearthing all the forgotten good stuff.

Buster said...

Wortley - Agreed. I think a number of people learned of him from the Dawn Upshaw recording of I Wish It So.

David said...

This is probably not the right place to post a request, but I can't find anywhere else, so, with apologies, please could you make available again the coupling of Western Symphony and Filling Station? (The link is dead.)
Many thanks.
David

Buster said...

David,

Can do - will take me a while, though.

Wortley Clutterbuck said...

Dawn, definitely.
I also meant to thank you for all the extras and information that come with your posts. They really help get a feeling for what was coming together in a particular time and place.
So a tip of the hat to you as curator of this tiny museum of yours.
Thanks!

Leo said...

Buster - No For An Answer is what I was specifically looking for! From the Pollack book, it sound really interesting. It would be great if you could post it if you get the chance, thanks.

I agree with the others that Blitzstein is an acquired taste but he makes much more of an impact when placed in the context of his era. I recommend the Pollack book if anyone has the time. It's quite long and didactic but I am enjoying it and strangely inspired by it as well.

Buster said...

Leo - Here is No for an Answer. I did this several years ago, so the transfer may not be the greatest:

http://rapidshare.com/files/2610572960/No%20for%20an%20Answer.zip

Leo said...

Thanks very much Buster, I'm sure it's fine. Can't wait to give it a listen this weekend. Cheers/

dougles said...

Hi Buster, thanks for another wonderful recording. I don't comment often enough, but I have really enjoyed many of your posts.
There is no rush, but I too was hoping that at some point you might consider a re-up of "Warner's Colour Fashion Show" by Michael Brown which you posted way back in July 2008.
Thanks again!

Buster said...

dougles,

Thanks for your comment! I am going to have to re-record the item you are looking for - can't find the original files.

Buster said...

dougles,

Whoops, never mind - I do have it!

Hotspur said...

If Marc Blitzstein had given us nothing other than his English lyrics for "The Threepenny Opera," he would still have earned an important place in American music theater. I'm rather fond of some of his own songs, in particular "The Purest Kind Of Guy (A Birthday Song To Joe)," which Paul Robeson recorded on his album "Songs of Free Men." It was from the show No For An Answer, which you have also graciously posted for download. Many thanks. Here is the Robeson version of that song, with Lawrence Brown on piano: http://www.sendspace.com/pro/dl/v9sos9

Buster said...

Hotspur - Thanks so much!

Unknown said...

'Goloopchik' is indeed a term of endearment. "Goloop"is a dove - in the slavic languages, probably also in Yiddish.
The -chik is a diminuitive, endearing form.

Buster said...

Thanks, Bertolt

Unknown said...

Please a re-upload.

Buster said...

Remastered version (Apple lossless):

https://mega.nz/#!XZkCkaJK!dJGHjmy-8unBkdJZqNpZvhv8D9fmhn-b7LkQkcyziI8

Unknown said...

Thank you for the re-up. Much appreciated.

Unknown said...

Love to have more Muriel Smith!

Anonymous said...

Buster:
Thanks for making this available. I used to have an LP of Blitzstein speaking about his work -- including the story of the opening of "The Cradle Will Rock". The comments were interspersed with sometimes lengthy excerpts from the operas: highlights included Brenda Lewis as Birdie in "Regina" and a comic number from "The Cradle Will Rock" featuring Roddie MacDowell. Would you happen to have that one in your collection? Thanks for the ones you do have.
Philip

Buster said...

Hi Philip - Actually, I do have that record! I'll transfer it for you as soon as I get a chance.

Scoredaddy said...

missed first time. thanks!

Muff Diver said...


I also missed this one. Thanks, Buster, for placing the link so we could all find this!

Counterleben said...

Thank you for this marvelous remastering of Marc Blitzstein and Muriel Smith. In recent years I have become intrigued by the unique artistry of Muriel Smith, who brings a textual immediacy as well as an almost bel canto approach to her pop music stylings (I have twice done episodes on my Countermelody podcast featuring her.) Though you didn't mention it in this post, while Smith was in London, she starred in the West End premieres of South Pacific and The King and I (and sang Carmen at Covent Garden!) During those years, she had a recording contract with Philips Records and put out a 10-inch disc called "I'm in the Mood for Love" with arrangements by Angela Morley (or Wally Stott, as she was known before her transition). Even better (IMHO) are the 78s that she made for Philips in the mid-50s, again with Morley as the arranger. There were also several other Philips recordings, including a matchless 45 of spirituals. I have managed to get my hands on most of this material, except for her 78 of "Oh! My Papa" b/w "The One I Love (Is Not In Love with Me)," which remains elusive. I would be so thrilled if you could do another Muriel Smith posting either here or on your other blog sometime soon.

In closing, though I have not written before, your blog is one of the great resources on the internet, always chock full of fascinating surprises! Thank you so much, Buster! Best wishes, Daniel

Buster said...

Daniel - Many thanks for your lovely and most welcome note. I mentioned that I have more Muriel Smith; I'll see if I can locate something.