In this performance, the Thomson is coupled with film music written by Aaron Copland, the Children's Suite from The Red Pony, from 1949.
Both suites were relatively new when this recording from the Little Orchestra Society and Thomas Scherman was issued in 1952. With the films' similarities in theme, setting and time, and the connection between the two composers, the two works make highly complementary companions on disc.
The performances from the New York-based ensemble are very fine, and the simple recording is excellent. It is a good example of what used to be called "hole in the wall" recording - that is, the recording is so coherent that it gives the impression of taking place behind the speaker. That's an effect I like, but the "hi-fi" crowd wanted things to be more close up, so the microphones got closer and more numerous and by the end of the decade multi-miked ping-pong stereo was in vogue.
The music here is simple, yet sophisticated in its own way, and the performance is highly sympathetic.
LINK to February 2025 remastering


8 comments:
Buster,
Great post! I like these Little Orchestra Society recordings much like the fondness I have for the Saidenberg Little Symphony or the Janssen Symphony. Can't explain why, but I derive much satisfaction from these issues. I'm a nostalgic old character I guess!?
Thanks for rescuing this one,
Fred
Fred...I don't know if you have it, but there is a great 45 EP by the Janssen Symphony of Los Angeles (Werner Jannsen, conductor) containing the "Symphonie Moderne" (Max Steiner), from the film "Four Wives", along with the "Scherzo" from "Flesh and Fantasy", by Tansmann. As I recall, the last few measures of the Symphonie Moderne were used as the theme for an old 1930's radio show, like "Lux Radio Theater", or something.
Gil
As a Copland fanatic, I am ALWAYS interested in hearing different interpretations of his key works. Thanks for this and I look forward to listening!
Copland's film scores to "Our Town," "Of Mice and Men" and "The Red Pony" share a haunting sweetness that never fails to move me. I hadn't listened to this performance of "The Red Pony" since college and I find it the best I have heard. I can't imagine my life without Copland in it. When I was in high school, I remember going to a Philadelphia Orchestra concert just to hear his "Quiet City." I am ashamed to admit the equally beautiful music by Virgil Thompson is new to me. Ever since you posted his Blake songs, I have been listening to everything of his I can find. His settings of Gertrude Stein are wonderful. As all about me apocalypse deepens, your blog plays an increasingly important role as a cultural sanctuary. Please stay on sentry duty.
Hi Buster:
I look forward to this. I don't know the music and am happy to have the chance to hear them. The Four Saints in Three Acts is just wonderful.
I love this recording. My favorite is The Louisiana Story as it is a remarkable film that is about a young boy's encounter with an oil derrick on the bayou. This film directed by Robert J. Flaherty is one of the great documentary films (it is sort of a documentary). It is prophetic in that it depicts the machine invading the solace of the natural environment. We are witness in our time to the destruction of oil spills on a massive scale, yet parodoxically there is a strange beauty and power to the man made machine and the boy's fascination with it. Virgil Thompson's score reflects this contradiction. Another great score by Thompson is The Plow That Broke the plains and The River-two documentaries by Pere Lorentz.
Hi Buster, something you may want to post a little more prominently.
http://archive.org/details/V.ThomsonThePlowThatBrokeThePlains
This is Leopold Stokowski and the Hollywood Bowl Orchestra doing Thomson's score for The Plow that Broke the Plains. It's a free download at the archive.
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