
This 1949 performance of Brahms' first piano quartet has been a favorite of mine for many years; I have always been particularly fond of the pianism of Mieczysław Horszowski. So a while back I decided to present it here.
Horszowski, and the starry group he has with him here - Alexander Schneider, Milton Katims and Frank Miller - were the members of the New York Quartet, but are barely identified as such here for some reason. (You also can here them on this blog in a performance of Copland's Piano Quartet, which is approximately contemporaneous with this recording.)
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| Alexander Schneider, Mieczysław Horszowski, Frank Miller, Milton Katims |
Alexander Schneider had been in the Budapest String Quartet, and would be again in 1956. He also made a good number of records as a conductor. Milton Katims, too, would take up conducting, leading the Seattle Symphony for many years. Frank Miller was the principal cellist with the NBC Symphony when this record was made, and later would hold the same position with the Chicago Symphony. He, too, was a conductor. Horszowski had an extraordinarily long career as a pianist, playing well into his 90s.
The cover above is from the second pressing of this LP. The original pressing had one of those brown pebble-grain covers that are supposed to look like a leather book binding and lend the product some class. These look pretty dingy 60 years later, and probably did back then, as well.



11 comments:
I've got a ton of those dingy leathery Mercury things.
Thanks for this rip. I look forward to hearing it and comparing to the sound on my reissue of the same album (with yet a third and different cover!).
Cheers!
Buster: Thanks so much for posting this. I'm very fond of the musicians involved, and Horzowski and Schneider, in particular, are musicians I simply love. Looking forward to hearing this one. I heard Horzowski only once, in Saunders Theater at Harvard, when he was in his late 90s. I can attest to the fact that those glorious recordings he did on Nonesuch very late in his life were not patched together in the recording studio. The playing that night in Cambridge was superb in all ways. Thanks again.
@Buster!
I've just figured out why the cover on my copy is different from yours! I have the Cminor piano quartet, not the Gminor! Funny thing is, I didn't notice the difference at all until I finally unpacked your zip file and started playing, and the piece failed to begin with a loud C octave!
So I will enjoy your rip and then I will rip/post the other quartet on my blog. If anyone has the A Major piano quartet, then we'll have a full house - though that piece is done far less often and I'm doubting they recorded it.
@ squirrel,
I have the C minor as well but not the other, so I suspect you are right!
Those leathery green Mercury record jackets always carry that musty smell that reminds me of my grandmother's cellar..and a simpler time when I didn't know so much!
Just listened to it. Lovely. Thanks again.
Schoenberg transcribed this quartet for orchestra in the 1930's. Besides the first performance of the transcription(with Klemperer and the LA Philharmonic - which has appeared on cd), there's a really wonderful - and easily available -performance of the Schoenberg/Brahms conducted by Robert Craft with the Chicago Symphony (Frank Miller, first cello) on a Sony CD. You can even hear Frank Miller's "efforts" (he grunts now and then). And then, if you want to hear what sounds like Brahms' "transcription" of the Chicago Symphony performance back into a version for piano quartet (??), I think you would like to hear the "Live from the Library of Congress" performance by Artur Balsam and the Budapest Quartet on a Bridge Records CD (recorded about about 10 years before the Chicago Symphony recording!). The annotator of the Bridge Records cd, Harris Goldsmith, wrote that the "... Budapest always had a stylistic affinity for this music..." and "It is a pleasant surprise to find Balsam assertively augmenting his usual role as collaborative artist here, and triumphantly stepping into the role of soloist, as required by this work (its Rondo alla zingarese particularly)."
After hearing Balsam's playing, maybe you'll have to revise your opinion once again.
In any event, I'm very happy that I won't have to pull out my "dingy" recently acquired Mercury lp soon to listen to it one more time.
Keep up the good work!
Best regards from over here,
David
Hi David - I have at least a few recordings of the Brahms-Schoenberg, but not the one you cite. Who else transcribed Brahms for orchestra? There's an Edmund Rubbra transcription of the Handel Variations, which has been recorded a few times. (That's an Ormandy recording I do have!)
Buster,
That Handel Variations is an Ormandy recording don't have. Bet it's lovely, though!
Thanks, Buster!
Link (ambient stereo, Apple lossless format):
https://mega.nz/file/OYNXTaBT#Am1UFFzNPwrJpf7c759JjlLwOmDIvsCtCdRu4IE26hI
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