Before he became famous as a Broadway composer, Cy Coleman was a fixture in the better clubs with his piano trio - even as a very young man.
This obscure 10-inch LP is from 1955, when Coleman was either 25 or 26. (The back cover says 24, but news accounts from 1950 had him as 22, so that's unlikely.)
This was not Coleman's first record - he had a contract with Coral as early as 1950 - but it may be his first LP.
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The young Cy Coleman |
Coleman was a very effective pianist. The back cover says he offers "an almost symphonic form of jazz," which is nonsense: he was not really a jazz artist. Although he offers his own takes on some very familiar tunes, little here sounds improvised.
Coleman's cohorts were jazz players, though. Bassist Ernie Furtado had stints with Bill Evans, Chuck Wayne and Morgana King. Drummer John Cresci played with Helen Merrill and Lena Horne, later, oddly, with Al Kooper and Michael Bloomfield.
By the time this LP came out, Coleman had already written such songs as "Why Try to Change Me Now." The only song here that may be his work is the opener, "One-Two-Three."
The cover makes it look like Coleman played the accordion, but there's none of that here.
My singles blog has a post of one of Coleman's greatest hits - "Playboy's Theme" - along with his own vocal on "You Fascinate Me So."
Coleman's cohorts were jazz players, though. Bassist Ernie Furtado had stints with Bill Evans, Chuck Wayne and Morgana King. Drummer John Cresci played with Helen Merrill and Lena Horne, later, oddly, with Al Kooper and Michael Bloomfield.
By the time this LP came out, Coleman had already written such songs as "Why Try to Change Me Now." The only song here that may be his work is the opener, "One-Two-Three."
The cover makes it look like Coleman played the accordion, but there's none of that here.
My singles blog has a post of one of Coleman's greatest hits - "Playboy's Theme" - along with his own vocal on "You Fascinate Me So."
[Note (June 2023): The piano on this LP has a plonky sound, probably because it was recorded too closely. I've remastered the record in ambient stereo with a small amount of natural reverberation to help counteract this effect.]
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ReplyDeleteBuster,
DeleteI'm working on a biography of Cy Coleman and it's great to see that his name and work as a pianist in the 1950s isn't totally forgotten!
You're right about the age, he signed with Benida in April 1955 and this was out by May, so that would have made him 25 (he turned 26 on June 14, 1955).
I've got a question about your post regarding 'Caprice/Sabia' - would you consider emailing me?
Thanks a million!
Andy Propst
Ooh, never seen this one before. Cool!
ReplyDelete"it's great to see that [Cy Coleman's] name and work as a pianist in the 1950s isn't totally forgotten!"
ReplyDeleteI hadn't forgotten his work as a pianist because I'd never heard of it. Nor will I be forgetting it now - it's very fine indeed. Many thanks!
Buster, I am thrilled to see this post. I just came across a copy of this at the good will. I think it is a great record and am please to have the superb digital transfer. Thank you!
ReplyDeleteJohnny
Thanks for this. I've been listening to a lot of CC lately, so this was exciting to see.
ReplyDeleteIt's interesting to hear some seeds of his style -- the baroque stylings in "Taking a Chance on Love," for instance, that show up again up in the "Rhythm of Life" number in Sweet Charity, as well in the (very funny) songs that chug along in "On the Twentieth Century."
Thanks, as always for bringing something old to light!
Hi everyone - thanks for the very interesting comments and perspectives!
ReplyDeleteThis ones new to me. Thank You
ReplyDeleteThanks for an addition to my very small (2) collection of Cy Coleman.
ReplyDeleteJack
Thank you!!! I see you got as note from Andy Propst. His biography of Coleman is terrific. Seems like you might have helped.
ReplyDeleteRayKay - I did provide him with one single he was seeking. Thanks for your notes here and elsewhere.
ReplyDeleteThanks
ReplyDeletej.
Thank you!
ReplyDeleteRemastered version in ambient stereo, Apple lossless format:
ReplyDeletehttps://mega.nz/file/KF0imJjb#pJXLfFlAq2_5qZzWG9SymwLq0GEOyViai43XwUUpZGI
"One-Two-Three" is definitely by Coleman. He used the same riff in the song "By Threes" for his show I Love My Wife.
ReplyDeleteThanks, Brian! Great info.
DeleteBuster, Been running wild getting all of your Cy Coleman posting. AMAZING ! By the way, I noticed in the PDFs you included with Cy's "Jamaica" Lp, that there was a review of Tina Louise's "It's Time For Tina" album (released in 1957). Any chance you have this ?
ReplyDeleteNoises - I don't think I do have the Tina Louise, although I would like to! (I collect such LPs.) However, I do have some Cy Coleman transcriptions that I've been meaning to transfer.
Delete