15 April 2014

Meredith Willson and 'Modern American Music'



Paul Whiteman's 1924 Aeolian Hall concert is famous primarily for having introduced Gershwin's Rhapsody in Blue. But that event was just the beginning of what the conductor called his "Experiments in Modern American Music," with concert music commissioned from composers with pop and jazz roots. There were to be a total of eight such concerts, the last being held in 1938.

Whiteman's efforts inspired at least one other bandleader to undertake a similar endeavor, and this album is the result. In 1939, Meredith Willson was a radio conductor on the show Good News, which was primarily a showcase for M-G-M talent. For the show, Willson commissioned 10 notable pop composers to produce new works in a variety of forms, including the minuet, waltz, march and so on. Participating were Harry Warren, Harold Arlen, Vernon Duke, Peter DeRose, Duke Ellington, Louis Alter, Sigmund Romberg, Morton Gould, Dana Suesse and Ferde Grofé. Ellington, Gould and Grofé had all contributed compositions to Whiteman's 1938 concert.

Meredith Willson
Willson convinced Decca to make an elaborate album of the resulting commissions, which contained two 10-inch and three 12-inch 78s. Willson and band (or "concert orchestra," as both he and Whiteman were then calling their ensembles) recorded the compositions in one session in early January 1941. The results are certainly listenable, although none of the pieces has become well known. But that was the case as well with the works that Whiteman commissioned - he never achieved a success to match Rhapsody in Blue, at least not with anyone but George Gershwin.

Willson's biggest triumph was to come many years later, with the hit musical The Music Man, which has at least five songs that became better known and loved than any of the compositions on this album. His own concert pieces, while enjoyable, will never be considered his main contribution to music.

Cover of 78 set
This transfer is from an early LP reissue of the 78 set, with good sound, now (March 2024) newly remastered in ambient stereo.

LINK to ambient stereo remaster

23 comments:

  1. This comment has been removed by the author.

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  2. I would be interested in hearing the eight Good News radio programs that you mentioned. You always have interesting things to listen to. Thanks for taking the time to post.

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  3. This seems like it was an exciting find for you.
    Looking forward to listening to it.
    Thanks!

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  4. Good News radio programs:

    http://www11.zippyshare.com/v/82539562/file.html

    Thanks for the comments!

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  5. Thanks you very much for that post. Aside the famous Grofe, Gould, Romberg and Ellington....so many names to discover: a rare, interesting and promising program indeed !!!

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  6. Thanks for making this available. I'm surprised though that you didn't mention the two symphonies Willson composed in the 1930's in the bio.

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  7. This is fascinating stuff. Thank you!

    Do the Good News programs contain any contributions from "Meredith Willson's Talking People," or did they come later in his radio career? Well, I guess I can find out for myself. Thank you for those too!

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  8. Buster,
    Cannot thank you enough for this rarity. It will go straight to a friend of mine here in Cleveland who got me interested in MW's music as it appeared in the Naxos Am Music series.

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  9. Hi all - thanks for the comments. I am familiar with the Willson symphonies, and have the Naxos CD. The symphonies didn't make much of an impression on me, but perhaps I should relisten.

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    1. I also have the Naxos set. I am surprised by your comments though, I found that the 1st passed my 'memorable tunes' test (I have the '(Broadway) Big Tune' from the first movement going through my head right now alternating with the opening bars of the fourth movement.

      The second does not pass that test. Now on to the material on the recording you made available.

      During the first listen though I kept trying to figure out just what film the music had come from or would fit into, the exception was the Grofe piece where I kept thinking of the theme music to Gerry Anderson's Thunderbirds.

      As for the Ellington, even the best have their off days...

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  10. Oh, you're just full of surprises, aren't you? :)

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  11. Cool! I've had the 78 set and knew about the LP reissue, but never encountered the vinyl. I'll have to disagree re "Rhapsody"--"Grand Canyon Suite" was a Whiteman commission, and hugely successful, though "Rhapsody" is probably out-enduring it as a popular American classic. Whiteman also gave us Grofe's "Mardi Gras," Peter DeRose's "Deep Purple," and Matty Malneck's "Stairway to the Stars." Gershwin seemed very eager to escape association with/sponsorship by Whiteman, of course using "Rhapsody" as his entry into the pop concert world. Whiteman hoped Grofe would fill that billet, but of course Grofe soon went the Gershwin route, angering the heck out of him. The story goes that PW did his best to hobble Grofe's career. Whiteman seems to have expected something like servitude in return for his patronage. Kind of sad!

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  12. Hi Lee - Thanks for your correction. You are right of course about the Grand Canyon Suite. Interesting about Whiteman and Grofe. I knew he had a falling out with Gershwin. Neither disagreements prevented him from programming both Gershwin and Grofe for the 1938 concert. The Grofe was a commission - did the disagreement with Grofe post-date this event?

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  13. Lee - Oh and interesting about the 78 set, which I've never seen. I couldn't even find a picture of it.

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  14. I used to have the set--12", three or four discs. I think it's the same art as the LP. Noisy, warped Decca pressings, though the sound is basically decent. As far as I know, the Whiteman/Grofe fallout was 1932 or 1933--Whiteman wanted Grofe to sign everything over to him, effectively preventing Grofe from having his own career. Grofe opted out, and Whiteman scrambled to find a replacement chief arranger. Adolph Deutsch was the most Grofe-style replacement--he was probably directed to copy Grofe's sound. It was more a matter of PW being mad at Grofe than the reverse, so maybe that's why Ferde was willing to do the 1938 concert. I love Grofe's piece for that-- Trylon and Perisphere. (It was retitled "Black Gold" later on.) It's like an easy listening take on Honegger. Do you have the CD of that concert? It's worth getting.

    Btw, Bix Beiderbecke's "In a Mist" is another fairly famous Whiteman-sponsored piece (said to be inspired by Bill Challis, but, as one reviewer has pointed out, was more likely Grofe-influenced), and "Stardust" is sort of, kind of circumstantially connected to Paul's band. It started as an instrumental, of course, in the "Deep Purple"/"In a Mist" vein.

    (I go into Full Nerd mode on this subject! Sorry!)

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  15. Thanks, Lee - Very illuminating! I don't have the CD of that 1938 concert; I must get it.

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  16. Incredible treat, Buster, thank you for this AND te Good News link. And I always appreciate the kind of info you and Lee and oters pass around. Thanks!!!

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  17. Many thanks Buster for this amazing piece of musical history and to everyone else for the insights into same

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  18. Thanks for your hard work, Buster.
    Looking forward to listening.
    Also to Lee for his insight.

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  19. what a nice discovery! new music to me and I appreciate your efforts to post and annotate it for us

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  20. I needed some "Good News". Thanks for the radio programs. Very generous.

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  21. I like those composers' foray into (semi-)classical music! Thank you!

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