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I've had some requests for more episodes of the show, which featured the great vocalists of the time. So I will be posting a few Dick Haymes appearances, starting with today's hour devoted to the music of George and Ira Gershwin.
The selections are generally well-known - "Who Cares?", "Someone to Watch Over Me," "How Long Has This Been Going On?", "Nice Work If You Can Get It," "They Can't Take That Away from Me" and "A Foggy Day," but a few deserve some additional commentary.
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| George and Ira |
"Love Walked In" is from the last project George worked on. I described the scene in an earlier post as follows: "[D]iners often appeared in movies. The one that comes to mind is the Owl Diner in the Goldwyn Follies of 1938, with short-order cook Kenny Baker serenading Andrea Leeds via the Gershwins' 'Love Walked In.' You can see the clip here."
For "Bidin' My Time," Alec Wilder mentions seeing the Broadway run of Girl Crazy, which introduced the song in 1930. He was enthralled not just by the song but by the group that performed it, the Foursome - particularly because they played ocarinas in harmony, which Wilder found amazing. That group, a favorite of mine, has appeared on my other blog three times, with posts that include two different recordings of "Bidin' My Time." (I have the rest of the Foursome's complete Decca recordings if anyone is interested.)
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| Loonis McGlohon |
The last Gershwin work that Haymes sings is "For You, for Me, for Evermore." Loonis mentions that Dick had the honor of introducing the piece in the 1947 film The Shocking Miss Pilgrim. Haymes recalls that composer Kay Swift, who was closely associated with George Gershwin until his 1937 death, was present during the filming, having prepared the songs with Ira Gershwin from unpublished melodies.
I recently posted a comprehensive look at Swift's own music, which also included the songs from The Shocking Miss Pilgrim, including both the soundtrack and commercial recordings of "For You, for Me, for Evermore."
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| Alec Wilder |
All the American Popular Song programs included at least one song by Wilder. Haymes presented two. The first is "Night Talk," which Dick describes as being like "Lush Life," only better. Loonis was the lyricist. Alec wrote both words and music for the second song, "The Child I Used to Hold," which was new at the time. Both are worthwhile.
Dick's performances are not at the level he attained in the 1940s or 50s, but are still good, even though his pitch does waver a bit. I've mentioned before that these shows were not well recorded - I had a hard time getting Haymes to sound natural.
The program is fully tracked and tagged to facilitate repeat listening of the songs.
Coming up is a show devoted to the songs of Harry Warren.





20 comments:
great show and thanks as always. i have only to add that the date of this radio show is 39 years later as the famouse benny goodman carnegie hall concert....
(16. january 1977)
bicho - Thanks so much - did not know that about the concert! Or the date of the show itself - I had it in 1976.
Whatever the drawbacks, these are precious programs and many of them are no longer available online. Thank you!
Grover - So true! I will upload more, but they require a lot of work.
Great
Great
FANTASTIC! What an enjoyable show; greatly appreciate you sharing this one with us.
Thanks, gimpiero!
John - You're welcome. Happy to do it.
Thanks Buster! Have you talked about how you came across these programs? Did I miss that?
Ernie - I read Alec Wilder's book many years ago and came across the programs via a site devoted to him, also quite a few years ago. I downloaded them and listened to them, but didn't think of them again until my recent posts devoted to David Allyn.
Glad you had the foresight to preserve them.
Thanks, Ernie - I imagine they are around elsewhere, but perhaps this is a useful contribution. I just hope I don't have to do a lot of them because the rebalancing, tracking and tagging is drudgery.
I feel your pain. I don't do a lot of audio work, but just tracking and tagging the files can be a real downer sometimes. I do umlauts and diacritics and accents until I can't stand it anymore some days...
Thanks for finding this. I often have to explain to people that Dick came down with TB back in 1968 in the UK. It robbed him of his big fat resonant sound but he still sang very well. Yes, at times you can here some intonation issues here and there, but your remix is fine. I wish the original Audiophile LP's did as good a job mixing him. On a side note, when he was in the UK, he did some very rare radio appearances. I have some of them and have been working on them. Some are prior to his bout with TB and he has that incredible resonance we once knew. Some was from 1970 and he still sounds great and not a bit of intonation issues either. Keep up the great work.
Thanks, Paul - fascinating information. I'm glad I was able to capture some of Dick's magical voice! It did take some work.
Thank you! Look forward to listening to it, Kiken
Hi Kiken - Hope you enjoy it!
Such a treat! Gracie, Buster!
A pleasure, mike!
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