This post is devoted to songs she recorded in the 1950s, derived from three LPs:
- It's Been So Long, one of her two solo albums, where she is backed by Percy Faith.
- With a Little Bit of Swing, where she is top billed over Peanuts Hucko and his band, even though she appears on only five songs.
- Larry Clinton in Hi-Fi, which recreates some of the bandleader's biggest songs, including four vocals by Helen.
The Hucko LP is presented in full, but the Clinton set includes only Ward's vocals.
In addition to these records, I've gathered 11 of Helen's 1934-40 singles for a post on my other blog.
It's Been So Long
"The ingredients of the Helen Ward style have always been the same: simplicity, taste, sincerity, and sound musicianship, Like all great singers, she also has the gift of complete individuality - no matter what she sings, one measure is enough to identify the voice as Helen Ward’s. There is an unaffected warmth in every note; her personality projects purely through the sheer honesty and directness of her singing. And under the straightforward voice is a simmering, pulsating drive which makes everything swing, even the sweetest ballad."
![]() |
Percy Faith |
There's much truth to that assessment, although in her mid-30s her voice did not have the flexibility of the young band singer. The eight songs on this 10-inch LP with Percy Faith are mostly standards, with the exception of "Same Old Moon (Same Old Sky)," which Rudy Vallee had recorded in 1932, "You're Mine," which she learned from trumpeter Charlie Shavers, and "When You Make Love to Me (Don't Make Believe)", written by Jim Hoyl and Marjorie Goetschius. Avakian doesn't mention that "Hoyl" was actually violinist Jascha Heifetz!
The LP oddly includes two versions of "You Brought a New Kind of Love to Me" - slow and fast. So nine cuts, but eight songs.
Faith's arrangements are typical of his work - a bit fussy but enjoyable. The sound is very good.
LINK to It's Been So Long
With a Little Bit of Swing
With a Little Bit of Swing is actually a Peanuts Hucko record, although Ward is given top billing. It came out in 1957, although I believe it was recorded the year before. "A Foggy Day" appears on the 1956 album Dave Garroway Presents the Wide, Wide World of Jazz, which I included in the recent post devoted to Lee Wiley's RCA recordings.
Besides "A Foggy Day," the other Ward vocals are on the standards "I Get Along Without You Very Well," "Don't Cry Baby," "Gone with the Wind" and "I'm Shooting High."
![]() |
Peanuts Hucko |
Whatever you call the band, it's a good LP, with fine musicians, excellent charts, primarily by the prolific Al Cohn, and good vocals from Ward. I don't believe the album sold well, unfortunately. There was not a follow-up until decades later.
LINK to with a Little Bit of Swing
Larry Clinton in Hi-Fi
Trumpeter-arranger Larry Clinton's specialty was reworking the classics into big band form. His biggest hit in that realm was "My Reverie," which he reworked from a Debussy piece.
I'm not overly interested in such material, so I did not transfer the complete LP, only the four songs which feature Ward.
![]() |
Larry Clinton |
Beside "My Reverie," these include two other classical transformations - "Our Love" from Tchaikovsky
and "Martha," from the Flotow opera of the same name. Helen's other number is the Carmichael-Loesser favorite "Heart and Soul," which was a hit repeatedly, starting with Clinton's 1938 version through Jan & Dean in the 1960s.
The Clinton LP comes from my collection; the others are cleaned up from Internet Archive transfers.
LINK to Helen Ward's vocals on Larry Clinton in Hi-Fi
1934-40 Singles
![]() |
Young Helen Ward |
My other blog has 11 selections from the many singles that Helen recorded in the 1930s (and 1940). These include two with Goodman, four with studio bands that predate or parallel her Goodman period, plus items with Gene Krupa, Joe Sullivan and Teddy Wilson.
thanks, buster, also for this fine and informative post!
ReplyDeleteThanks, bicho!
DeleteAnother amazing selection. I am hoping that the long-promised Ronnie Deauville post is coming.
ReplyDeleteThe problem with Ronnie is he made a lot of records that got passed around from company to company. I got confused with the provenance of the various items - which also were in terrible shape - so I put them aside. Which is always a mistake!
DeleteThanks for your note!
Thank you very much Buster. It is always a pleasure to receive your detailed comments. I am 77 years old and never too old to learn
ReplyDeleteGreat
ReplyDeleteThanks so much, Ron and gimpiero!
ReplyDeleteVery nice, thanks, Buster! I really only know her from her Goodman recordings, so this is a nice re-introduction. She sounds great!
ReplyDeleteThanks, Buster!!!
ReplyDeleteThanks again to Grover and Ernie!
ReplyDelete