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Detail of Tchaikovsky portrait by Nikolai Kuznetsov |
That's something we would have to ask Gould, were he still around. The composer called his suite The Seasons, and most other recordings I have seen call it the same.
Gould did have logic on his side. Tchaikovsky wrote the work on a month-by-month basis for the publication Nuvellist in 1875-76, and the individual pieces are subtitled for the appropriate month. But the composer and the publisher still called the suite The Seasons.By whatever name, we have two versions of this piano work for you: one an arrangement by Gould for piano and orchestra, the other a Russian recording by Lev Oborin of the original suite.
The Months with Morton Gould
The title was not all that Gould changed. The suite was written for piano, but Gould orchestrated the work in Tchaikovsky's style, retaining a piano part.
It all works quite well in this 1951 recording, made in Columbia's 30th Street Studio, and a bit more steely sounding than usual from this source. It's a light suite, most similar in approach to the composer's ballet scores. (He was orchestrating Swan Lake at about the same time.)
The best known selections are probably the "Barcarolle" (June) and "In the Troika" (November). The latter is sometimes heard at Christmas, even though the composer assigned it to the previous month. Tchaikovsky's composition, however, is not heard as often as Prokofiev's "Troika" from the Lieutenant Kijé Suite.
I don't want to slight Tchaikovsky's December piece, which is one of his most felicitous waltzes.
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Morton Gould in the recording studio |
The Seasons has been arranged for orchestra several times. Most recordings use the orchestration by Russian conductor Aleksandr Gauk. As far as I can tell, this is the only recording of Gould's version. It has not been reissued for many years, to my knowledge.
The Seasons with Lev Oborin
Although his name is not often heard these days, Lev Oborin (1907-74) was a distinguished Russian pianist who won the first International Chopin Competition in 1927. Oborin often performed with David Oistrakh, and Aram Khachaturian dedicated his Piano Concerto to him.
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Lev Oborin |
Oborin's recording dates from 1950. This version is from a 1963 LP issued on the small Bruno label, possibly a quasi-bootleg. The LP was reissued many times on LP in Russia, but I haven't turned up any CD issues nor any other Western releases, save for a UK Parlophone album (that was, incidentally, titled The Months).
The recording is adequate; the performance is splendid, although Oborin's troika just ambles along, apparently in no hurry to get to Babushka's house. The pianist does, however, excel in the concluding waltz.
Thanks to my friend Ernie, who alerted me to the Gould LP on Internet Archive.
Links (Apple lossless):
ReplyDeleteTchaikovsky - The Months (Gould)
https://mega.nz/file/rYsS3Cpa#bD6HBaZUsmv3mVWZScGN5j7nPjVNKw3yXa53qGmJ_Yk
Tchaikovsky - The Seasons (Oborin)
https://mega.nz/file/mdNRVA5A#NaihrCK44LEvKhafxUuRK3kkVmKhOaBnLxMFD5KceWc
Thanks, Buster! Really looking forward to hearing Gould's orchestral treatment of these delicious Tchaikovsky miniatures.
ReplyDeleteΠυθαγόρας - My pleasure!
ReplyDeleteThanks so much dear Buster for these outstanding posts featuring rare recordings of one of Tchaikovsky's masterpiece. Besides the (more) traditional forms of concerto, symphony and opera, the composer was excellent to depict miniatures (eg his ballet music and four suites for orchestra). It is quite revealing to compare Oborin to Gould's orchestration. An opportunity to hear again how Morton Gould was a multi-faceted and outstanding musician.
ReplyDeleteJean- Glad you enjoyed it!
DeleteMy pleasure to point this out to you. Wish I could find my copy in the archives. I know it's there, but finding it would be an undertaking. Thanks for sharing!
ReplyDeleteErnie - I know what you mean!
DeleteThank you, Buster.
ReplyDeleteRich
Thank you, Buster! Great records!
ReplyDeletethank you very much for both of these gems. -cheers, a.v.
ReplyDeleteHi everyone - Thanks for the comments, as always.
ReplyDeleteMany thanks, Buster, for an interesting pairing! Much appreciated. All good wishes.
ReplyDeleteHello Peter and thanks to you!
DeleteAs to Bruno Records, Discogs write US bootleg label established in the late 1950s by Bruno G. Ronty after an attempted lawsuit by the Czech government/Supraphon on his previous label, Colosseum (4). Many of the releases from Colosseum were reissued on the Bruno label, which is denoted by CRLP/CRLPX in the runouts of Bruno releases.
ReplyDeleteOn the covers it says something to the effect that none of the profits from the recordings inures to the Soviet Union.
Eric - Thanks so much! Most interesting. I was right about this being a boot, I guess. I am familiar with Colosseum, but had never encountered Bruno the label before. I like the righteous statement that none of the profits go to the Soviet Union, failing to add that they go straight to Bruno G. Ronty.
Delete