11 June 2020

Gordon MacRae in Desert Song and Roberta - New Transfer

Gordon MacRae starred in radio's The Railroad Hour from 1948 to 1954. Sponsored by the railroad industry, the show concentrated on highlights from operettas and musicals, featuring MacRae and a succession of guest vocalists, including Dorothy Kirsten, Dorothy Warenskjold, Risë Stevens and Lucille Norman.


Capitol, MacRae's record company, saw some commercial potential in starring the singer in its own series of abridged musicals and operettas. The first effort was excerpts from Cole Porter's Kiss Me, Kate in 1949, with Jo Stafford, which has appeared on this blog. Next was Sigmund Romberg's The New Moon with Lucille Norman in 1950. Capitol must have liked the pairing - the two teamed for Rudolf Friml's Vagabond King in 1951. Capitol even used the same cover as The New Moon, just changing the name of the operetta.

Lucille Norman and Gordon MacRae
In 1952, MacRae and Norman again were matched for Romberg's The Desert Song and Jerome Kern's musical Roberta. The following year, Capitol combined these two 10-inch LPs into the 12-inch album that is the subject of today's post. Also in 1952, MacRae and Norman appared in Franz Lehar's The Merry Widow.

In 1953, MacRae was paired with Dorothy Warenskjold for Romberg's The Student Prince. The series came to an end in 1954 with two Victor Herbert operettas - Naughty Marietta with Marguerite Piazza and The Red Mill with Norman. Later on, Capitol had MacRae redo several of the operettas in stereo with Dorothy Kirsten.

1953 Music Views ad
I offered the Desert Song/Roberta LP here almost 12 years ago, and recently decided to re-transfer it so I could offer it in lossless format. Here is some of what I wrote about the record in 2008:

"The first side is The Desert Song. MacRae starred in the 1953 film of that Romberg work with Kathryn Grayson. You can find her version of the songs (made with Tony Martin) a few posts below this one [here].

"This Capitol recording is presented less as a string of songs and more as a potted version of the operetta, complete with overture and a supporting cast of Bob Sands and the great Thurl Ravenscroft, who is heard in 'Let Love Come.'

"The Kern-Harbach Roberta takes up the other side of the record. MacRae and Norman (a very good singer who also had an acting career) are joined by character singer Anne Triola, who has a little too much character for my taste. The arrangements and musical direction on both sides are by George Greeley. [Let me add belatedly that Greeley's work is excellent.]

1952 Music Views ad
"The problem with trying to cram a great score like Roberta into 25 minutes is that the individual items don't get much time. That's OK with me when it comes to 'Yesterdays,' which has been recorded by everybody from Washboard Sam to Helen Traubel (or so it seems), but not so with 'The Touch of Your Hand,' a gorgeous song that is too little heard, perhaps because it is not easy to sing. This record includes the hit songs both from the stage show and two that were interpolated into the 1935 film ('Lovely to Look At' and 'I Won't Dance')."

When these records came out, many people could still recall the heyday of operetta, which had been 30-40 years earlier. In the early 50s, there were several versions of Naughty Marietta competing in the record stores - besides MacRae and Piazza, the teams of Nelson Eddy and Nadine Conner, Earl Wrightson and Elaine Malbin, and Doretta Morrow and Felix Knight could be heard on LP. The last-named pair have appeared on this blog.

In 1952 There also were multiple editions of Roberta to choose from. M-G-M had adapted Roberta as Lovely to Look At starring Kathryn Grayson and Howard Keel, so Capitol came out with the MacRae-Norman Roberta LP and Columbia countered with a Jack Cassidy-Joan Roberts version. Several years earlier, there had been a Roberta studio album featuring Alfred Drake and Kitty Carlisle, which I transferred a while ago. It is still available here.

I doubt that any revival of this repertoire on record would achieve much of an audience today. But here we don't worry about such things, so I plan on transferring MacRae's Student Prince and Merry Widow soon.

28 comments:

  1. This comment has been removed by the author.

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    1. I learn from Wikipedia that Lucille Norman's birth name was Lucille Boileau. Boileau is not the most common name in France but it is not rare, either and there are several well-known bearers of the name including a composer, a critic and poet, and a mystery novel writer. It has a liquid and pleasing sound in the French language but I can well see why she did not retain it for her stage name. I can imagine radio announcers grappling with it and getting thrown every time. Boil-o? Boil-oo? Bowie-luh? Anglicizing it to Drinkwater would only slightly improve matters.

      From the photographs (I've never seen any of her movies) she seems to have been a very attractive lady. She has just the right voice for this music. And just catch that perfectly clear articulation of the lyrics! MacRae's no slouch either.

      Once again, thanks, Buster.

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    2. Charlot - Yes, she is very good, by whatever name - and so is MacRae. More from them coming up.

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  2. Thank you for these, Buster. I don't think I knew about this particular series with MacRae. (Of course I'm familiar with the later ones with Kirsten, which have turned up in various formats and couplings.)

    One reason "The Touch of Your Hand" may be less often done is that it (like "You're Devastating") wasn't sung in the film of Roberta, which is how the title circulates now (to the extent it circulates at all). Though I would be remiss not to mention that a 2-CD studio recording of the complete score of Roberta was issued in 2014, with reconstructions of the original orchestrations. I was very happy about that!

    I'll be looking forward to that Student Prince, whenever you get to it. I've heard some very favorable word about Dorothy Warenskjold, but never actually heard her.

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    1. JAC,

      As far as I am concerned, "You're Devastating" and "The Touch of Your Hand" are the two best pieces in the score, IOW, my favorites!

      I'll have to seek out that complete Roberta - like you, I love to hear the original orchestrations.

      I am transferring Student Prince tonight, which means I will post it relatively soon.

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    2. Unfortunately the MacRae-Kirsten CD was usually missing at least one (usually a chorus) track from each album. Buster do you have the other combo LP from the mono Capitol MacRae series? New Moon/Vagabond King; Kiss Me Kate; Merry Wodow/Student Prince; Naughty Marietta; South Pacific. Or maybe the various Al Goodman show albums?

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    3. Rootie - I have the Student Prince-Merry Widow, which I am transferring now, and the New Moon-Vagabond King. I am sure I have one or more of the Al Goodmans, but I have no recollection of which one(s).

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  3. Thanks so much Buster. Fantastic. Coincidentally, I came across the extended version of 'Carousel' this week. Also pure enjoyment. I love Gordon MacRae. Beautiful songs on this one.

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    1. Ron - I love MacRae myself, which may be apparent.

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  4. Thanks Buster!

    Funny you should return to Gordon MacRae tonight, I just came across his duet with Gisele Mackenzie the other night in which they sing about their shared love for Buicks.

    https://archive.org/details/78_my-buick-my-love-and-i_gisele-mackenzie-and-gordon-macrae-billy-may-frank-skinner_gbia0021814b

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    1. Ernie - Fantastic! I love this.

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    2. I want to go right out now and buy me a Buick and honeymoon with Gisele.

      The chord structure of this masterful ditty reminds me of something else, though. See the USA in...? Your Hupmobile? Your Stanley Steamer? Dang, can't come up with it.

      Never mind. Fun to hear. Thanks, Ernie.

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    3. Charlot - It sounds a lot like "Cruising Down the River," which was a hit in 1946, although written in the 20s.

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    4. ...on a Sunday Afternoon.

      A perfect, natural song that sat around on the shelf for years and suddenly won a contest.

      You know your hits, Buster.

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  5. Excellent post! I agree wholehartedtly about The Touch of Your Hand; I favor particularly Margaret Whiting's version on her Kern songbook on Verve.

    Inedde, the whole song, arranged and conducted by Russ Garcia, is a jewel!

    Hope all is well.

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    1. hkitt - Whiting and Garcia are two favorites around here.

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  6. ps: please excuse the misspellings--neither my laptop nor my fingers is what they used to be.

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  7. If you are interested, I have the Desert Song with Kirsten and I have some recital material from Dorothy Warenskjold. I can post it if desired.

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    1. Eric - Sure, would love to have those materials. Thanks!

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  8. https://mega.nz/file/q45g1QIC#OBYEiXzzvpYF37gtNWzqUtbcyMqchsRjiO66BSsxB3U

    Desert Song - MacRae - Kirsten

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    1. Thanks again, Eric, but this link leads only to the cover of the album.

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    2. side 1 tracks #1 (Overture & Opening chorus), #5 (Then you will know) and the side 2 #4 Finale from the stereo LP were the ones omitted from the MacRae-Kirsten CD (Angel Studio CDM 7-69052-2).

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  10. https://mega.nz/file/XopEQYoQ#SzJnUOmJIzNM3psxP1bE21M3jR0afvFxZT3ZZzsgmxQ

    Dorothy Warenskjold Grieg and Dvorak songs (in English)

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  11. Thanks for both of these, Eric!

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  12. On Roberta, the second female voice is Anne Triola,. but more importantly, the bass voice singing the Riff Song is Thurl Ravenscroft, whose name is only surpassed by the profundo of his basso.

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  13. Desert Song and Roberta link (ambient stereo, Apple lossless format):

    https://mega.nz/file/OANQUaQD#DLF6iZfVL831Hs7JCSAcI957UUsdPcKT10-1FwiXFpA

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