Albéniz's Iberia is usually heard complete in its original form for piano, or in the selection of five pieces orchestrated by Enrique Fernández Arbós. However, the remaining items were later orchestrated by conductor-composer Carlos Surinach, and are themselves quite worthwhile.
I believe this recording was the first of the complete orchestrated Iberia, and it is exceptionally good. This is one of those Philadelphia/Ormandy records that appeared in the mono era never to be seen or heard again. Too bad, because it is beautifully played and brightly recorded - and the music is so attractive.
This comes to us courtesy of Joe Serraglio, who has graced us with a number of Philadelphia recordings already. It's a fine transfer; my contributions were slight rebalancing and tracking. The recordings were made in early 1956 in the Academy of Music.
My thanks to Joe - you will thank him, too, when you listen.
Sylvia Syms' 1956 Decca Singles
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*Cash Box *April 28, 1956The vocalist Sylvia Syms was, until 1956, a niche
attraction. She had issued LPs on Atlantic and the obscure Version label,
and t...
2 weeks ago
Hi Buster,
ReplyDeleteI look forward to this. It will be interesting to compare with Argenta. Argenta only recorded the Arbos items and they were quite good.
Thanks!
Fred
Hi Buster
ReplyDeleteThis is a record I don't have, so many thanks to you and to Joe for giving me the opportunity to hear it. I'm looking forward to it.
Thanks Buster!
ReplyDeleteHadn't seen this album in 50 years!
What a treasure!
It provides a revelatory contrast to compare these plush, lush, relaxed Philadelphia readings with the far more temperamental, tempestuous, rugged Russian readings on Naxos by the Moscow Symphony Orchestra in new arrangements by Peter Breiner. I couldn't believe I was listening to the same music. I enjoyed both but continue to admire Naxos for finding great low-wage Eastern European ensembles to play music we wouldn't otherwise hear.
ReplyDeleteI admit to admiration for interpretations which are far less tame and far more adventuresome. Naxos has released enviable CDs devoted to Varese and Webern that give the music immediacy and urgency I sometimes miss from the great American and European orchestras. Some may say that is a sign of weaker musicianship. But I don't think so.
Nevertheless, thanks for the luscious Ormandy Albeniz. There were some things he did that were incomparable. I remember some Delius he recorded that put the Brits to shame. And I still revere his recording of the Hindemith "Music for Brass and Strings." Indeed, this blog has made me treasure Ormandy in ways I never did when he was alive. I owe him and his memory apologies. And I owe you ceaseless gratitude.
I had come across some of these orchestrations (by Ansermet?) and had paid little attention to them. It was fifteen years ago. So to say that I would now lament just to hear more of this kind. Thank you very much. Ormandy is such a fine performer. I am looking forward acquiring some of his unavailable records through haydnhouse efforts, who proposes also its own transfer of this Iberia.
ReplyDeleteWell, we now have three different versions of Iberia as orchestrated by Arbos provided by our small community of records lovers-cum-bloggers.
ReplyDeletehttp://randomclassics.blogspot.com/2009/09/artaulfo-argenta-conducts-albeniz-and.html
http://lesparolesgelees.blogspot.com/2010/05/iberia-d-albeniz-orchestre-par-arbos-et.html
All recorded between 1953 and 56; Abondance de biens ne nuit pas.
@ Discobole - Goodness, I hadn't even noticed that! I wonder if Albeniz-Arbos is getting as much attention in the recording studios these days as in the 50s. (I doubt it.)
ReplyDeleteWhat did I say!
ReplyDeleteI forgot the one by Jorda!
http://themusicparlour.blogspot.com/2009/12/enrique-jorda-paris-conservatoire-decca.html
Sure you are right for the number of recordings!
@ Discobole - Didn't Argenta also do a early stereo version? I think I have that. Also, the Arbos items from the Ormandy version were separately issued and coupled with an older version of Debussy's Iberia.
ReplyDeleteHi, Buster. I don't find a different recording from the one with l'Orchestre du Conservatoire. See: http://www.ataulfoargenta.com/615/657.html
ReplyDeleteAdd yours to the crowd of Iberias if you find it!
Beware of forgeries!!!
ReplyDeleteAlbeniz, arr. Arbos: Iberia
[side 1:] Evocation - El Corpus en Sevilla - Triana - El Puerto (23:03)
[side 2:] El Albaicin - Navarra (07:15)
Turina: Danzas fantasticas
[side 2:] Exaltacion - Ensueno - Orgia (15:52)
Ataulfo Argenta, conductor.
DESCRIPTION: 1 disc, 33 1/3 rpm, 12 in.
NOTES: Timings above from Everest LP.
* London LLP 921.$5.95. Program notes by Burnett James on container. [rev. May 1954ff.]
o Also:
+ Decca fr. LXT 2889 (d. l. November 1954)
+ Everest 3325 (label: SDBR 3325) (Los Angeles). Electronically re-recorded to stimulate stereo. Jacket note unsigned.
(source: http://hector.ucdavis.edu/sdc/Recordings/54~020.htm )
@ Discobole - Quite right. I was thinking of his Espana LP, which does not include any Albeniz, now that I check it.
ReplyDeleteI am like a kid in a sweet shop now - by the way "Iberia" was always one of my favorite pieces so writing everything down! Thank you!
ReplyDelete@voyager - Thanks for all your comments. Hope you are enjoying the music.
ReplyDeleteI have a version of Iberia somewhere her so no I too can compare them.
ReplyDeleteThanks.
Would there be any chance of uploading again this fine recording? All rapidshare links are dead. Many thanks.
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteSure, assuming I can find the files. This one did not originate with me. Might take a while.
ReplyDeleteReup - new link:
ReplyDeletehttps://mega.co.nz/#!uMMAzZ5L!klFClbfuQdNAybBbTespi-OMqmLteoY7OkGNNNBE4z8
Thank you.
ReplyDelete