Here we have two superb works in what I think are their first recordings, and distinctive ones at that.
Louis Kaufman was a stalwart of the film music orchestras and made quite a few records for budget labels. He takes a very personal and romantic view of the gorgeous Barber concerto - much different from the poker-faced approach that's normal in most music these days. He, the indefatigable conductor Walter Goehr, and their pseudonymous orchestra also do a great job with the finale, which usually sounds like an afterthought.
Aaron Copland makes an appearance to conduct his early Piano Concerto, which is from the Jazz Age and sounds it. It's great fun and very enjoyable in this performance by the talented Leo Smit, a friend of Copland and a superb interpreter of his piano music. The sound isn't too bad.
The Musical Masterpiece Society and its sibling labels made many interesting records. We've seen several already on this blog, and more are to come.
I believe I've mentioned here before how much I love this site, but guess what, I'm saying it again: I love this site. Thank you so much for making these wonderful old recordings available.
ReplyDeleteTim,
ReplyDeleteThanks so much for your comment, which is very appreciated. So many visitors - so few comments is the blogger's lament.
NOT SURE HOW i MISSED THIS ONE!!
ReplyDeleteA much belated thanks
Really fascinating - looking forward to hearing this one.
ReplyDeleteThanks for this recording, it's certainly interesting. It's too bad it wasn't recorded at the premier with Albert Spalding as soloist, a better violinist than Kaufman. It's amazing it took 10+ years from premier to 1st recording.
ReplyDeleteI'm getting schooled on Kaufman, and it would be nice to add this one to the lesson plan. :)
ReplyDeleteI'd have missed this if you hadn't posted the re-up notice on the front page. Thanks Buster!
ReplyDeleteBonjour. j'ai découvert ce blog récemment. Que de merveilles ! Merci mille fois pour ces partages !
ReplyDeleteThierry - Je vous en prie!
ReplyDelete